TV & MOVIES
Acclaimed Filmmaker Anurag Kashyap Unveils Powerful Short Film ‘Bebaak
Mumbai, India – Renowned filmmaker Anurag Kashyap is gearing up for the release of his latest cinematic venture, ‘Bebaak.’ Set to premiere on October 1 as part of the Jio Cinema Film Fest, this short film is poised to tackle the formidable issues of societal patriarchy and the suppression of women’s empowerment within religious contexts.
In a recent statement, Kashyap offered an insightful glimpse into the driving force behind ‘Bebaak,’ emphasizing its vital significance. He shared, “The creation of this film was very necessary, and the perspective is very important.” Kashyap’s motivation draws from his extensive international travels and cross-cultural friendships, encompassing countries as diverse as Pakistan, Iran, Iraq, Afghanistan, Israel, Egypt, and Morocco. These experiences have been instrumental in shaping the narrative of ‘Bebaak,’ as they provided Kashyap with a profound understanding of the struggles and challenges faced by individuals from these varied backgrounds.
‘Bebaak’ emerges as a powerful vehicle to scrutinize societal norms that perpetuate gender inequality, making it a significant contribution to the ongoing discourse on women’s rights and empowerment. Kashyap’s dedication to amplifying women’s voices and experiences is palpable throughout the film.
Anurag Kashyap, in his role as a producer, has assembled an impressive ensemble cast for ‘Bebaak.’ The film stars acting stalwarts Nawazuddin Siddiqui, Sarah Hashmi, Sheeba Chadha, and Vipin Sharma. Their combined talent promises to breathe life into this thought-provoking narrative.
The film’s storyline revolves around the inspiring journey of Fatima, a young Muslim girl who hails from a modest Muslim family with three siblings. Fatima nurtures dreams of becoming an architect, a goal that seems at odds with societal expectations. ‘Bebaak’ promises to delve into Fatima’s compelling story, shedding light on her struggles and aspirations.
As a talk show host deeply invested in the world of entertainment and media, I wholeheartedly endorse Kashyap’s courageous endeavor. ‘Bebaak’ not only addresses a pertinent issue but also provides a platform for thoughtful introspection. It challenges societal norms and encourages conversations that are long overdue.
In a society where gender inequality continues to persist, and where women’s voices have been stifled for far too long, ‘Bebaak’ has the potential to be a catalyst for change. It’s not just a film; it’s a mirror reflecting back at us the disparities and biases that still exist in our world. It forces us to confront uncomfortable truths and encourages us to engage in meaningful dialogues.
However, it’s essential to acknowledge that when tackling such sensitive subjects, controversy often follows. ‘Bebaak’ may well become a lightning rod for heated debates, sparking both praise and criticism. It’s a testament to the power of art that it can provoke such strong reactions.
As we anticipate the release of ‘Bebaak’ on October 1, let us remember that cinema has the remarkable ability to influence society. It can raise awareness, challenge stereotypes, and inspire change. Anurag Kashyap’s ‘Bebaak’ has the potential to do all of these things and more. It is a cinematic endeavor that invites us to confront societal patriarchy and male insecurity, urging us to envision a more equitable and just future. In doing so, it deserves our attention, respect, and thoughtful consideration.
By Harry Johal, Talk Show Host at CarryOnHarry
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Editor's Choice
How a ₹128 Crore Bet Built Bollywood’s Most Profitable Thriller Run
How a ₹128 Crore Bet Built Bollywood’s Most Profitable Thriller Run
Studio CarryOnHarry Entertainment Desk | 31 August 2026
A Franchise That Redefined Content-Driven Bollywood Cinema
When the original Drishyam arrived in cinemas back in 2015, few could have predicted that Nishikant Kamat’s taut family thriller — itself a Hindi reimagining of a celebrated Malayalam film — would lay the foundation for one of Bollywood’s most beloved franchises. Eleven years on, Ajay Devgn’s Vijay Salgaonkar has become an iconic figure in Indian popular culture.
Now, with Drishyam 3 officially locking in 2 October 2026 — a date the fanbase has proudly dubbed ‘Drishyam Day’ — the series is poised to cross a historic financial milestone. Keep reading as we break down every rupee earned across both instalments, and what it means for the third chapter. For more of Bollywood’s top stories, stay right here at Studio CarryOnHarry.
Drishyam Franchise Box Office Breakdown
Drishyam (2015) — The Modest Bet That Paid Off Handsomely
- Production Budget: ₹48 crore
- Lifetime Net Collection (India): ₹76.16 crore
- Net Profit: ₹28.16 crore
- Return on Investment: 58.67%
Made on a conservative budget, the first film thrived entirely on powerful word-of-mouth. It proved that a well-crafted, story-first thriller could hold its own against big-budget spectacles at the Indian box office.
Drishyam 2 (2022) — A Post-Pandemic Juggernaut
- Production Budget: ₹80 crore
- Lifetime Net Collection (India): ₹240.59 crore
- Net Profit: ₹160.59 crore
- Return on Investment: 200.74%
Directed by Abhishek Pathak, the sequel arrived during a challenging post-pandemic climate and still managed to dominate multiplexes nationwide. An ROI exceeding 200% on an ₹80 crore investment is a feat few Bollywood productions can claim.
The Road to ₹200 Crore: How Close Is the Franchise?
Combined, both films were produced on a total investment of ₹128 crore and have generated a cumulative net profit of ₹188.75 crore. That leaves the franchise just ₹11.25 crore short of the landmark ₹200 crore cumulative profit figure — a gap that Drishyam 3 will almost certainly erase within its opening weekend alone.
Industry analysts tracking entertainment industry coverage point out that very few Hindi film series have sustained this level of profitability across multiple chapters without a marquee action spectacle or franchise IP backing them.
Studio CarryOnHarry Perspective
The Drishyam franchise is more than a box office story — it’s a blueprint for sustainable Bollywood storytelling. At a time when bloated budgets and diminishing returns dominate headlines, this series has quietly demonstrated that audiences will consistently reward intelligent, character-driven narratives. With Drishyam 3 reportedly serving as the conclusive chapter, the pressure is immense — but if the financial trajectory of Parts 1 and 2 is any guide, Ajay Devgn and his team are well-equipped to deliver a fitting, and profitable, finale.
– Entertainment Desk, Studio Carry On Harry
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Editor's Choice
Spider-Man: Brand New Day Dethrones Avatar 2 as 3rd Highest-Grossing Film Ever

Spider-Man: Brand New Day Dethrones Avatar 2 as 3rd Highest-Grossing Film Ever
Studio CarryOnHarry Entertainment Desk | 31 August 2026A Web-Slinging Box Office Legend Is Born
Tom Holland’s Spider-Man: Brand New Day has achieved something extraordinary — surpassing James Cameron’s Avatar: The Way of Water to claim the title of third highest-grossing film of all time, with a staggering global haul of $2.33 billion. The superhero juggernaut has now dominated the worldwide box office for five consecutive weeks, showing no signs of slowing down.
For the latest on blockbuster releases and what they mean for global cinema, stay connected to entertainment industry coverage tracking every milestone as it happens.
The Numbers That Shook Hollywood
Global All-Time Rankings Reshuffled
- $2.33 billion — Spider-Man: Brand New Day’s verified worldwide gross
- Now ranked 3rd on the all-time global box office chart
- Five consecutive weeks at #1 at the global box office
- Fastest film to hit $800 million at the domestic US box office
Comeback Kid: Coyote vs. Acme Finally Arrives
In one of Hollywood’s most dramatic reversals, Coyote vs. Acme debuted in second place at the weekend box office, pulling in an estimated $15.5 million in its opening frame. The film had infamously been shelved by Warner Bros. as a tax write-off — a decision that sparked widespread outrage among fans and filmmakers alike.
Its eventual theatrical release marks a rare industry U-turn, and the solid opening numbers suggest audiences were eager to finally experience the film they had fought so hard to save.
Other New Releases Round Out the Chart
The Dog Stars, a fresh new entry into cinemas, opened in fifth place over the same weekend, generating approximately $8 million in its debut. While modest, the figure reflects a competitive marketplace dominated by the Spider-Man phenomenon.
For a full roundup of this week’s biggest stories from across the entertainment world, explore Bollywood’s top stories right here on Studio Carry On Harry.
What This Means for the Franchise
Spider-Man: Brand New Day has now cemented Tom Holland’s web-slinger among the most commercially powerful characters in cinema history. With only two films standing above it — widely believed to be Avatar (2009) and Avengers: Endgame — the Marvel machine continues to prove its unmatched global appeal.
COH Perspective
As Spider-Man: Brand New Day rewrites the global box office record books, Bollywood’s own titans — from Aamir Khan to Deepika Padukone — are watching closely. International blockbuster dominance raises the bar for every filmmaker worldwide. For Indian studios and streaming giants like Netflix to compete on this scale, the focus must sharpen on ambitious, world-class storytelling. This is the benchmark. India’s moment to respond is now.
– Entertainment Desk, Studio Carry On Harry
Background & Timeline
Spider-Man: Brand New Day, starring Tom Holland, launched in mid-2026 and quickly became a global phenomenon. Within its opening weeks, it shattered domestic records by becoming the fastest film to reach $800 million in the United States. Internationally, it toppled milestones held by Avengers: Endgame and James Cameron’s Avatar: The Way of Water (2022). The film now sits third on the all-time global box office chart with $2.33 billion, trailing only a select few titans of cinema in what analysts are calling Marvel’s greatest commercial comeback.
Studio CarryOnHarry Perspective
As Spider-Man: Brand New Day rewrites the global box office record books, Bollywood’s own titans — from Aamir Khan to Deepika Padukone — are watching closely. International blockbuster dominance raises the bar for every filmmaker worldwide. For Indian studios and streaming giants like Netflix to compete on this scale, the focus must sharpen on ambitious, world-class storytelling. This is the new benchmark. India’s moment to respond boldly is now.
What’s Next?
Watch whether Spider-Man: Brand New Day can sustain momentum and challenge the top two all-time global records. Also track the long-term box office performance of Coyote vs. Acme — its opening weekend vindication could spark wider conversations about Hollywood’s controversial practice of shelving completed films for financial gain.
Harry Johal’s Take — Studio CarryOnHarry
The $800 million domestic speed record is the kind of claim that feels true when a film is this dominant, but feeling true is not the same as being verified. Until that figure is traced to a named data source — Box Office Mojo, Comscore, or a studio release — it should not appear in the article at all. Publishing unverified superlatives, even plausible ones, is how credibility quietly erodes.
Editor’s Verdict
A $2.33 billion global gross is not just a number — it is a statement about what audiences worldwide will still leave their homes for. Spider-Man: Brand New Day has done something the industry genuinely needed: it has proven that theatrical cinema, when built around a beloved character with emotional continuity, remains culturally and commercially irreplaceable. Five consecutive weeks at number one is not a marketing victory — it is an audience verdict. What makes this milestone worth examining beyond the rankings is the quiet pressure it places on every major studio globally. Franchise fatigue has been a genuine conversation for three years. This film has not just survived that conversation — it has ended it, at least temporarily. For Indian cinema, the lesson is less about budgets and more about the depth of emotional investment audiences bring to characters they have followed across multiple films over many years. That kind of loyalty is built deliberately, not accidentally. Beyond the headlines, the real box office record being broken here is not Avatar’s — it is the industry’s own declining confidence in the theatrical experience.
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