Self-publishing on the KDP (Kindle Direct Publishing) platform has revolutionized the book publishing industry. With KDP, anyone can self-publish their book and reach a global audience without the need for a traditional publisher. However, this ease of access has led to a surge in the number of self-published books, making it more challenging for new authors to stand out.
In this article, we will discuss some common mistakes that new authors make when self-publishing on the KDP platform and how to avoid them. Whether you are a first-time author or an experienced writer, this article will provide you with valuable insights into the self-publishing process.
Mistake #1: Not investing in professional editing and proofreading
One of the most common mistakes new authors make is not investing in professional editing and proofreading services. While it may seem like an unnecessary expense, editing and proofreading are essential for producing a high-quality book. A poorly edited book with spelling and grammar errors will not only make you look unprofessional but also turn off potential readers.
Solution: Hire a professional editor and proofreader to review your manuscript before publishing. Look for someone who has experience in your genre and has a track record of producing quality work. The investment will be worth it in the long run, as it will improve the quality of your book and increase your chances of success.
Mistake #2: Poor cover design
Another common mistake that new authors make is not investing enough time and effort in cover design. Your book cover is the first thing readers see and can make or break their decision to buy your book. A poorly designed cover can make your book look unprofessional and not worth reading.
Solution: Invest in a professional cover designer or use a cover design software that can create a visually appealing cover. Look for cover designs that are relevant to your genre and convey the message of your book effectively.
Mistake #3: Not researching the market and competition
New authors often make the mistake of not researching the market and competition before publishing their book. Publishing blindly without considering the existing market demand and competition can lead to a lack of interest from potential readers.
Solution: Research the market and competition before publishing your book. Look for books in your genre and see what is currently popular. Consider what makes your book unique and how it can stand out from the competition.
Mistake #4: Not having a marketing plan
Publishing your book is only the first step in the self-publishing process. Without a marketing plan, your book may go unnoticed in the vast ocean of self-published books. Many new authors make the mistake of not having a marketing plan in place before publishing their book, which can lead to poor sales.
Solution: Develop a marketing plan that includes social media promotions, book reviews, and other strategies to reach your target audience. Consider hiring a book marketing specialist to help you create a comprehensive plan.
Mistake #5: Not utilizing Amazon KDP tools
Amazon KDP provides authors with a wide range of tools and resources to help them succeed on the platform. New authors often make the mistake of not utilizing these tools to their full potential.
Solution: Make use of Amazon KDP tools, such as KDP Select, Kindle Unlimited, and advertising options, to increase your book’s visibility and reach. These tools can help you reach a larger audience and boost your sales.
Conclusion
Self-publishing on the KDP platform offers new authors an excellent opportunity to share their work with the world. However, it requires careful planning and execution to succeed in a highly competitive market. By avoiding the common mistakes discussed in this article and following the solutions provided, new authors can increase their chances of success and make their mark.
Inside Bollywood’s Silence: The Real Reason Dhurandhar Isn’t Being Celebrated
In a season where Bollywood films are loudly pushed, praised, and plastered across every digital corner, the curious silence surrounding Dhurandhar has raised more questions than answers. Social media has been buzzing with talk of nepotism, PR politics, and manipulated corporate bookings. But industry insiders tell a very different story—one that has less to do with individuals, and everything to do with genre power, studio territory, and the fragile ego structure of Bollywood’s biggest players.
At the heart of the storm lies a simple fact: Dhurandhar is a spy thriller. Not just any thriller—the genre Bollywood unofficially considers the exclusive territory of Yash Raj Films. For over a decade, YRF has aggressively built its “Spy Universe,” treating it like a cinematic fortress. The studio’s identity, revenue expectations, and long-term franchise planning are deeply tied to the success of this genre. So when War 2—their highly anticipated blockbuster—released earlier this year and struggled at the box office, it didn’t just bruise egos; it shook the foundation of the Spy Universe itself.
Against this backdrop, the arrival of Dhurandhar became a complication no one at YRF wanted. Insiders insist the silence around it isn’t about actor rivalries or PR games. It’s far more strategic. Publicly celebrating another studio’s spy thriller—especially one gaining genuine praise—would inevitably weaken the narrative YRF is trying to rebuild with its upcoming film Alpha. Acknowledging Dhurandhar would mean accepting a new, strong competitor in the very space YRF claims as its own.
There’s also the added complexity of personalities. Industry veterans quietly acknowledge the friction between “Gangu” and certain YRF loyalists. Some believe that any hype around Dhurandhar will reflect indirectly on Ranveer Singh, an actor who has been caught in the crosshairs of shifting alliances and subtle jabs from prominent names. Even recent comments by Filmfare’s Jitesh Pillai, insiders say, were not random—they were part of the larger mood within the establishment.
What is particularly telling is that this silence cannot be explained by corporate bookings or inflated footfall numbers. Brahmāstra pioneered and benefitted from such tactics, yet it received full-throated celebration from every camp. The absence of similar support for Dhurandhar points clearly to the genre politics at play.
Behind-the-scenes tea also hints at larger ripples: whispers of Deepika Padukone stepping away from an Ayan Mukerji–Ranbir Kapoor project have surfaced, possibly tied to the tense undercurrents created by this power struggle. Whether these developments are temporary or signal a deeper fissure will become clearer in the coming months.
For now, what remains undeniable is the industry’s discomfort. Dhurandhar is being quietly acknowledged as a good film—good enough to challenge the supremacy of the Spy Universe itself. And in a world where brand territories matter more than merit, silence has become a weapon.
As Bollywood inches toward the release of Alpha, expect the temperature to rise, alliances to shift, and narratives to be aggressively shaped. Because in this battle, it isn’t actors fighting for acclaim—it’s studios fighting for genre dominance.
In the whirlwind world of fame, where the lights shine brightest, the departure of a star can leave a profound silence in its wake. It’s a reminder of the fleeting nature of celebrity and the indelible marks some leave on the fabric of our culture. Recently, the entertainment sphere was shaken by the tragic news of Shefali Jariwala’s untimely passing—a talent whose spark dimmed too soon. Amidst the bustling digital landscape where trends come and go, certain stories, like Shefali’s, grip us, urging a search for meaning amidst loss.
Shefali, fondly remembered as the “Kanta Laga Girl,” left a void not just among her close-knit circle but within the broader audience base that adored her. Her untimely demise at the age of 42 not only sparked an outcry of grief but a surge of online searches, seeking to understand the how and why. She had been a vibrant presence on screen, and her sudden departure led to a significant spike in Google searches, overtaking even major events. The cause, reportedly a consequence of a cardiac arrest, raised discussions on the pressures and the unseen struggles behind the glamorous facades of celebrity life.
In another corner of the digital universe, Anupam Kher experienced an unexpected jolt—not of loss, but of digital disappearance. Imagine waking up one day to find a whopping nine lakh followers vanished from your social media profile. In a world where online presence and follower count are often seen as measures of influence and credibility, such an occurrence is disconcerting. Kher’s direct query to Elon Musk brought light to the often invisible cleanup processes on social media platforms, aiming to purge bots and inactive accounts. Yet, it serves as a metaphor for the impermanence in the digital age—what is here today can be gone tomorrow, echoing the transient nature of fame itself.
As we navigate through a torrent of updates, from the surprising revelations post-Samantha Ruth Prabhu’s wedding to the heartwarming support for TV’s Sai Baba, Sudhir Dalvi, by the Shirdi Sansthan, it’s evident how stories of celebrities’ lives, their highs and lows, fascinate and unite us in conversation and speculation.
In the midst of these narratives, a peculiar phenomenon caught my attention—the barometer of public interest as reflected in Google’s most searched movies of 2025. From Bollywood outpacing Southern cinema to unexpected hits that captured the public’s imagination, it’s a fascinating glimpse into collective tastes and the ever-shifting sands of viewer preference.
But perhaps, the most human aspect amidst these tales is the community’s response to Sudhir Dalvi’s plight. Facing health challenges, the actor renowned for his portrayal of Sai Baba found relief not just in medical intervention but in the collective support of a community willing to uphold one of its beloved figures. It’s moments like these that reinforce the ties that bind us, transcending the screen to touch lives in tangible ways.
One of the most common mistakes new authors make is not investing in professional editing and proofreading services. While it may seem like an unnecessary expense, editing and proofreading are essential for producing a high-quality book. A poorly edited book with spelling and grammar errors will not only make you look unprofessional but also turn off potential readers.
