Artists
Kadak Chai Rocks Bedford Holi Celebration
One of the highlights of the event was the performance by Kadak Chai, a Boston-based band that specializes in blending traditional Indian music with modern rock and pop influences. The band’s high-energy performance had the 300+ strong crowd dancing and cheering, and they were praised by attendees for their lively and outstanding performance. Kadak Chai’s power packed performance included the 70’s hippie chillum anthem “Dum Maro Dum,” a rock version of the mafioso anti-establishment hit “Dhan Te Nan,” and a Tamil-Hindi mashup of the iconic A. R. Rahman’s “Hamma Hamma.”
After Kadak Chai’s performance, DJPraveen spun popular tracks to keep the crowd dancing, including the rollicking hit “Naatu Naatu” from the Indian blockbuster “RRR,” which recently won the Oscar for best original song.
Shipra Bhal, an attendee commented “We all thoroughly enjoyed the band performance on holi! …did such a fabulous job…I had forgotten how good live band music sounds.” Some other attendees commented, “The live band was amazing…!!,” “Hats off to the band for keeping it so lively!!,” and “The live band was outstanding!!”
South Asian Association of Bedford committee member Dhiren Patel said, “Kadak Chai blew the lid off the festival bringing raw energy and color to the festival. Folks were grooving to their beats and literally dancing on the field while enjoying Holi with friends and family.”
“We are thrilled to have had Kadak Chai perform at our Holi Celebration,” said Mehul Shah, a member of the South Asian Association of Bedford. “Their unique blend of traditional and modern music was the perfect accompaniment to our celebration of spring and renewal.”
The Bedford Cultural Council provided financial support for the event. Event sponsors included Carson Wealth who offer a range of wealth management and financial advisor services and Apex Defense Academy based in Waltham and Burlington teaching Kid’s Martial Arts and Krav Maga Self Defense. Other sponsors included Bedford’s Holi restaurant, Russian School of Math, Bedford Cupcakes, Callahan’s Karate, Suzanne & Company, Apna Bazar, and Barrett | Sotheby’s.
Kadak Chai band member Praveen Ramanathan said, “The South Asian Association of Bedford did an incredible job organizing this year’s Holi Celebration. The Holi colors, decorations, and delicious food, made for an unforgettable experience. On behalf of Kadak Chai, I want to thank the association, the sponsors, and the town for bringing the joy of Holi to all.”
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The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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Originally from Yaita in Tochigi prefecture, Japan,, Hashimoto won the Grand Prix at the first All Japan Folk Music Festival at age 17, citing Simon & Garfunkel and Peter, Paul and Mary among his early influences. He went on to work with Haruomi Hosono’s Tin Pan Alley project, played a role in Yellow Magic Orchestra’s debut album, and became an original member of La Orquesta Del Sol, described in the announcement as Japan’s first major salsa band.
His American profile traces back to a 1987 visit to Seattle, where local press and broadcasters, including KIRO, KUOW and NBC affiliate KING5, covered his music; a KING5 documentary profiling the artist that was subsequently distributed to 37 additional U.S. markets. He has also taught voice and guitar to more than 1,000 students, including Japanese musicians Sugizo, Miyavi, Takeru and Junya Enoki, and recently received an honorary doctorate in music education from University of Perpetual Help System DALTA in the Philippines.
For Studio CarryOnHarry, the throughline here isn’t the single itself but the career behind it: a working musician who has moved fluidly between recording artist, jingle writer and educator for going on 40 years, in two countries, without a signature hit driving any of it.
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