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Meet Jeff Knite Director The Omicron Killer

Harry J

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Meet Jeff Knite Director The Omicron Killer

About You and Your background ?

I was born and raised in Bronx, New York. In the 80’s and early 90’s my dad worked for a big modeling agency called Wilhelmina Models. He would bring me to work alot, so I got to meet alot of famous people at the time, like Robin Williams, Eddie Murphy, Sylvester Stallone, Cindy Crawford, Ronald Reagan, just to name a few. To this day I still have a photo of my Dad play choking Robin Williams (LOL).

 

Anyway, being around all these celebrities at such a young age got me dreaming about being an actor. It just seem so cool. I would get paid to be a different person all the time. To me, it was awesome. So I began acting in my early 20’s, around 1997. I eventually landed a big role in the film BORICUA’S BOND (2000), co-starring with legendary rapper Big Pun. I then got cast in MANITO (2002), a film that went on to win best film at the Tribeca Film Festival and Special Grand Jury Prize at the Sundance Film Festival. The following year I snagged a role in the critically acclaimed film RAISING VICTOR VARGAS (2003), which was shown at Sundance, Cannes and the Toronto International Film Festival. I stop auditioning for film projects because I got married and had two kids, which made my available time now very limited. So I decided to become a filmmaker. I figured if I started out making short films. It would allow me to work at my own pace while learning the craft, and I was right for the most part.

 

You see, being an independent filmmaker is very hard work. Because you’re trying to do something to get noticed in Hollywood, without a Hollywood budget or crew. When you look at the credits on a hollywood production, it’s like 10 minutes long. Hundreds of people are helping in making that film a success. When you look at a low to no budget film, the credits are like 2 minutes long, with 10 people listed, all having multiple credits. That’s why you see most independent film’s opening credits are.. Directed by John Doe , Written by John Doe, Produced by John Doe, Casting by John Doe, Catering by John Doe etc. etc. The point I’m trying to make is that it’s tough, and it can put a strain on your relationships in life with loved ones and friends. That’s why I have been engaged three times and married twice. Not everyone thinks you’re going to become a Hollywood Star. They just think you’re an a–hole that is using up all their time and money.

 

The good thing is I did have some success over the years. My first short film SOME WOUNDS (2004), premiered at Urbanworld Film Festival, in front of the Tom Cruise/Jamie Foxx film Collateral (2004). It also appeared at the New York International Latino Film Festival that same year, sponsored by HBO.
I then made 9 more short films that were shown in various film festivals. From 2010 to 2011 I produced and directed 6 Doritos Commercials. I also produced a feature film entitled THE BUSINESSMAN (2014). AMERICAN PIRATES (2017) was the first feature film I directed, WAITING FOR HOWARD STERN (2018) was my second. Last year Gravitas Ventures released my film The Covid Killer, a Horror Crime Thriller. The film became an instant cult classic amongst Horror fans and currently holds an 87% Rotten Tomatoes Audience Score and spawned the sequel I am currently working on called The Omicron Killer.

 

How do you convince yourself with things that you have to shoot for a film but you actually don’t otherwise believe ?

 

I no longer shoot anything that I don’t believe in. The first feature I shot was written by a very close friend of mine, who is like a brother to me.
I read his script and did not understand it. It seemed to be all over the place. But we were close and he assured me that once the film was done it would all make sense. Well guess what? Once the film was done and edited, it made even less sense. The film was terrible. The day after I watched that film that we spent years working on, I vowed to never commit to doing something that I did not 100% believe in. Of course sometimes you get suckered into doing things you don’t want, like what happened to me when I started shooting The Covid Killer. But that is a story for another day.

 

Your Scripting Process ? Your approach to casting ?

I don’t start out writing a script. I come up with an idea and start putting notes into a folder and every now and then I would brainstorm these ideas with writer friends of mine and kind of form the story. Then, may be months or even years later I return to the story and start to flesh it out and see what ideas work and where would they go in the timeline of the film. The ideas that don’t work are placed in the sequel folder or in a folder called future projects.

As for casting. I usually first give offers to the actors that I usually work with that are good and reliable. The left over roles are usually given to someone well known that someone involved in the project knows, like a celebrity or thespian, and then we usually put an Ad in backstage or Craigslist and hold auditions, but if they have a really good reel, I’ll just hire them over the phone.

 

How much does your life influences your story telling and the characters that you bring to life ?

 

In the beginning, a lot. Most of the stories I told when I was younger were very personal.Now, not so much. I’m building a fictional universe now with my new film THE OMICRON KILLER, So nothing in these films will be about my life.

But I am writing a film about the relationship I have with my wife, who I am now separated from. But that story is very dear to my heart and I probably will not film that for years to come, if ever.

 

How do you work on yourself to become better in your field learning , observing , reading ? Type of things you keep yourself involved with

 

I do what you just said. I’m constantly learning, observing and reading. Either from friends, youtube, documentaries or just going on line and googling how to do things. Knowledge is power. Once you learn something, you can’t unlearn it. You give a man a fish, he eats for a day. You teach a man to fish, he eats for a lifetime.

 

Filmmaking is team work. Tell us about your team and what sort of pre planning gets done before you decide to make a film. Tough things about making films and what keeps you going despite those tough things ?

 

My team consist of Paugh Shadow, Johnny Careccia, Chris Guttadaro, Kianna Skye, Aaron Hilton, Roz Clancy, Evilise QuiJano, Dexter Fenner, Chris Lazzaro, Josh Trovato and Tasos Eliopoulos. Everything is pre-planned. There is so much that goes into it, but that would take up too much time so I am just going to gloss over the esentials: Idea – Treatment – Screenplay – Copyright – Shooting Schedule – Script Breakdown – Crew – Cast – Concept Art – Storyboard – Money – Weather – Contracts – Props – Shooting The Film – Organizing & Labeling Video And Audio FIles – Editing – SFX – Sound Design – Music – Score – Promotional Material (Posters, Banners, Trailers, etc.) – Sales Agent – Deliverables – Distribuition – Publicist – FIlm Festivals – Marketing Campaigns – Release Date – Interviews – Press Releases….
It’s mind boggling and extremely overwhelming just thinking about what you know you need to do to get a film project off the ground.

 

Title Of Your New Release

THE OMICRON KILLER

 

What is the central theme of film ?

Well we all know that serial killers want to become famous. They want attention.Well what happens when you are a copycat of a famous serial killer who dies and is still stealing the spotlight from you.

This film is about that guy.
The Copycat Covid Killer is so jealous of The Covid Killer who died 2 years earlier, because even in death he gets more exposure and notoriety than him. So he goes on a murdering rampage to prove he’s numero uno.

 

how many days it took you to shoot ? What locations it has been shot at ?

We have not shot the film yet, but it will take 27 days to shoot.

Here is our kickstarter campaign link
https://www.kickstarter.com/projects/910161385/the-omicron-killer-movie?ref=nav_search&result=project&term=theomicronkiller

 

Share your thoughts about production process. Any interesting trivia about its making ?

 

It’s grueling as I mentioned above. A lot of work and you are not getting paid.

What platforms will the film be released? Date of release?

 

Theatrical and we are aiming for HBO Max.Halloween 2023

 

Any other project you are working on ? Some details about the film ?

I’m also working on a film called KRAZY KLOWNY. I don’t want to give any details on that project at this time.
You will get to see him for a little bit in THE OMICRON KILLER though.

 

How do you deal with Negative Feedbacks? How do you stay balanced with Positive Feedback?

Trolls.. I recognize them and then ignore them. You build on the positive and deflect the negative.

How did you hear about CarryOnHarry ? Any message for Studio ? Josh Mitchell PUB.LIE.SIZE
Jason Blum, give me a call. I’m ready for you. Hollywood might not be ready for me, but I’m coming anyway.

 

IMDB Link

https://www.rottentomatoes.com/celebrity/jeff_knite

Your Official Website

https://www.youtube.com/c/DarkKnitesentertainment

Twitter Handle

 

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Interviews

podcasting microphone

Abe Greiner

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Understanding Podcasting Microphones: An In-Depth Guide for Beginners and Professionals

Types of Podcasting Microphones

Dynamic Microphones

Dynamic microphones are the most popular choice for podcasting. They convert sound into electrical signals using a diaphragm, coil, and magnet. These microphones are robust, can handle high sound pressure levels, and require less gain than other types. This makes them excellent for capturing voices in less-than-ideal acoustic environments. The Shure SM7B and the Electro-Voice RE20 are industry standards among podcasters.

Condenser Microphones

Condenser microphones are sensitive and tend to capture a wider frequency range compared to dynamic microphones. They require phantom power to operate and are ideal for capturing subtle vocal nuances, making them great for voice work in studios. Notable condenser microphones include the Audio-Technica AT2020 and the Rode NT1-A, both widely admired for their clarity and depth.

Lavalier Microphones

Lavalier microphones, or lapel mics, are small, clip-on devices ideal for interviews and on-the-go recording. They ensure hands-free operations and are particularly useful for video podcasts. Wireless options add flexibility, allowing hosts to move freely during recordings. Popular choices include the Rode SmartLav+ and the Sennheiser ME 2-II.

USB Microphones

For those looking for simplicity and convenience, USB microphones are perfect. They connect directly to a computer without the need for additional equipment. While they may not deliver the same quality as XLR microphones, models like the Blue Yeti and the Audio-Technica ATR2100x-USB are excellent for beginners and home podcasters.

Important Features of Podcast Microphones

Frequency Response

Frequency response defines how a microphone reacts to different sound frequencies. Most voices fall within the 80Hz to 15kHz range, so a good podcasting microphone should adequately capture this spectrum. A flat frequency response is usually preferable, allowing for a more natural sound.

Polar Patterns

The polar pattern of a microphone determines its sensitivity in various directions. The most commonly used patterns are:

  • Cardioid: Ideal for podcasting as it captures sound from the front while minimizing background noise.
  • Omnidirectional: Captures sound from all directions, useful for roundtable discussions but picks up more ambient noise.
  • Bidirectional: Captures sound from the front and rear, suitable for interviews between two people.

Sensitivity and Sound Pressure Level (SPL)

Sensitivity measures how effectively a microphone converts sound into an electrical signal. A higher sensitivity microphone captures softer sounds without requiring additional gain. Sound pressure level (SPL) measures how loud of a sound the microphone can handle without distortion. Choosing a mic with appropriate SPL ratings is crucial, especially in louder environments.

Essential Accessories for Podcasting Microphones

Pop Filters

Pop filters reduce plosive sounds (like “p” and “b” sounds) that can cause distortion. They are typically made of a screen or foam, which diffuses rapidly moving air before it hits the microphone diaphragm.

Microphone Stands and Boom Arms

Proper positioning is critical for optimal audio capture. Microphone stands and boom arms allow podcasters to adjust their microphone’s position easily while keeping hands free for notes or gestures.

Shock Mounts

Shock mounts prevent vibrations and handling noise from reaching the microphone, ensuring cleaner recordings. They are especially useful when recording in less controlled environments.

Audio Interfaces

For those using XLR microphones, an audio interface is necessary to convert the analog signal into digital for your computer. Popular models include the Focusrite Scarlett 2i2 and the PreSonus AudioBox USB, which provide excellent sound quality and ease of use.

Tips for Choosing the Right Microphone

Define Your Needs

Consider your podcasting style. Are you recording solo, interviews, or panel discussions? The type of conversations you have will dictate your microphone choice.

Budget Considerations

While it’s easy to get carried away with high-end equipment, plenty of budget-friendly microphones offer excellent quality. Determine a budget that allows for good quality without breaking the bank.

Test Before You Buy

Whenever possible, test microphones in-store to find the sound that best suits your voice. Listening to the audio capture can significantly influence your decision.

Read Reviews and Watch Tutorials

Before investing, check online reviews and tutorials. Many YouTube channels offer in-depth sound tests and comparisons to help you make informed choices.

Maintenance and Care for Podcasting Microphones

To extend the lifespan of your microphone, regular maintenance is vital. Here are some key maintenance tips:

  • Keep it Clean: Dust and saliva can accumulate and affect sound quality. Use a soft cloth to wipe down your microphone regularly.
  • Use Windscreens: For outdoor recording, use a windscreen to prevent wind interference and protect the mic from moisture.
  • Store Properly: When not in use, store your microphone in a protective case to prevent physical damage.

Enhancing Your Podcasting Experience

Investing in a good microphone is just the beginning. To fully get the most out of your podcasting experience, include thorough planning, effective editing software, and quality recording space. An acoustically treated room, for example, can significantly reduce background noise and enhance vocal clarity.

Understanding the nuances of podcasting microphones will empower you to make informed decisions that improve your production quality. Armed with the right microphone and accessories, you can deliver a rich audio experience, engage your audience, and elevate your podcasting journey to new heights.

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Interviews

Veteran actor Manoj Bajpayee speaks out against the growing influence of PR in Bollywood

H Johal

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From the BalleBalleRadio Entertainment Desk

Manoj Bajpayee, a celebrated actor known for his powerful performances, has recently voiced his concerns regarding the pervasive influence of PR machinery within Bollywood. Bajpayee argues that the industry’s increasing focus on public relations often overshadows genuine acting talent, leading to a skewed perception of success and merit.

Bajpayee’s comments come amidst ongoing debates about the phenomenon of ‘National Crush’ titles and the superficiality of fame. He suggests that such manufactured hype can be detrimental to the careers of trained actors who dedicate themselves to the craft, but may not possess the resources or inclination for extensive self-promotion.

He emphasized the importance of acting prowess over PR stunts, highlighting the potential humiliation faced by actors who have honed their skills through rigorous training, only to be sidelined by individuals prioritizing media visibility. Bajpayee’s own career, alongside that of fellow actor Piyush Mishra, serves as an example of sustained success built on consistent, quality performances rather than fleeting PR campaigns.

For more updates, follow us on https://facebook.com/balleballeradio. Like, Share, Comment!

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Interviews

Kajal Aggarwal Denounces Death Hoax: ‘My Family Was Disturbed’

H Johal

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Kajal Aggarwal Denounces Death Hoax: ‘My Family Was Disturbed’Actress Kajal Aggarwal Kitchlu recently found herself at the center of a disturbing death hoax, with reports circulating on social media falsely claiming she had died in a road accident. Aggarwal quickly addressed the rumors via her Instagram, dismissing the misinformation. Speaking at the press meet, Aggarwal expressed her dismay at the impact of these false reports on her family. “While I found the baseless news amusing, it was quite sad to see how disturbed my family felt. They kept receiving incessant calls, as did my staff,” she stated, emphasizing the insensitivity of trivializing life events like birth and death. She urged for greater mindfulness, truthfulness, kindness, and positivity in media reporting.

Aggarwal had previously used her social media platforms to refute the rumors, stating on Instagram and X (formerly Twitter), “I’ve come across some baseless news claiming I was in an accident (and no longer around!), and honestly, it’s quite amusing because it’s absolutely untrue.” She reassured fans of her well-being and cautioned against spreading false information.

On the career front, Kajal Aggarwal was last seen in Vishnu Manchu’s mythological drama *Kannappa* and earlier in the Hindi action film *Sikandar*, alongside Salman Khan and Rashmika Mandanna. Her upcoming projects include Kamal Haasan’s *Indian 3*, directed by Shankar, and a potential role as Mandodari in Nitesh Tiwari’s *Ramayana*, where Yash is expected to play Ravana, Ranbir Kapoor as Lord Ram, and Sai Pallavi as Sita.

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