Intersection of Literature and Cinema Series : Perspectives: A Debate on the Role of Film Adaptations in Telling Real-Life Stories
Two hypothetical film columnists who have differing views on the relationship between Film adaptations of memoirs and autobiographies in films
Film adaptations of memoirs and autobiographies have become increasingly popular in recent years, with Hollywood turning to real-life stories for inspiration. While these adaptations can be powerful and moving, they also raise important questions about the responsibility of filmmakers to accurately represent the lives of real people and to avoid exploiting their experiences for commercial gain.
In this discussion between two seasoned columnists at Studio Carry On Harry, David Lee and Rachel Smith, we explore the opposing viewpoints on the topic of film adaptations of memoirs and autobiographies. David argues that these adaptations are often too sentimental and lack depth, while Rachel believes that they offer a unique opportunity to bring these stories to life and to engage a wider audience.
Through their discussion, David and Rachel touch on a variety of important issues, including the potential for filmmakers to take liberties with the source material, the danger of turning real people into caricatures, and the commercialization of real people’s stories. While they don’t always agree, their conversation highlights the complex and nuanced nature of film adaptations of memoirs and autobiographies, and offers readers plenty to think about when considering the role of Hollywood in telling real-life stories.
Here is a casual discussion among both columnists and Press Editor Harry Johal
David Lee: “I think film adaptations of memoirs and autobiographies are often too sentimental and lack depth. They tend to focus on the most dramatic aspects of the story, leaving out the nuance and complexity of real life.”
Rachel Smith: “I see where you’re coming from, David, but I think film adaptations of memoirs and autobiographies can be incredibly powerful. They offer a window into the lives of real people, and can help us understand the human experience in a deeper way.”
David Lee: “But don’t you think that filmmakers often take liberties with the source material in order to make it more cinematic? They may change details or compress timelines in order to create a more dramatic story, which can ultimately undermine the authenticity of the original memoir or autobiography.”
Rachel Smith: “I think it’s true that filmmakers need to be careful not to stray too far from the source material, but I also think they have a responsibility to create a compelling story that will engage audiences. If done correctly, a film adaptation can bring a memoir or autobiography to life in a way that a book simply can’t.”
David Lee: “But what about the danger of turning real people into caricatures? Filmmakers may be tempted to simplify the characters or to portray them in overly sympathetic or unsympathetic ways in order to create a clear hero or villain for the audience to root for.”
Rachel Smith: “I agree that this can be a danger, but I also think that a skilled filmmaker can avoid this trap. By taking the time to truly understand the characters and their motivations, and by working closely with the author or subject of the memoir or autobiography, the filmmakers can create a nuanced and authentic portrayal of real people.”
David Lee: “Okay, I see your point. But what about the commercialization of real people’s stories? Isn’t there something inherently exploitative about turning someone’s life story into a Hollywood blockbuster?”
Rachel Smith: “I think that’s a valid concern, but I also think that there are ways to mitigate this issue. For example, the filmmakers could donate a portion of the profits to a related charity or cause, or they could work with the author or subject to ensure that their story is being told in a respectful and responsible way.”
David Lee: “I guess that’s true. But I still worry about the potential for Hollywood to take advantage of real people’s experiences for their own gain.”
Rachel Smith: “I understand your concern, David, but I also think it’s important to remember that filmmaking is an art form, and that it can be a powerful way to tell important stories. Ultimately, it’s up to the filmmakers to approach these adaptations with care and respect, and to do justice to the complexity and richness of real people’s lives.”
Feedback and Suggestions:
Harry Johal Editor of this group discussion ” I appreciate the thought-provoking discussion between David and Rachel. I think it’s important to consider both the potential pitfalls and the potential power of film adaptations of memoirs and autobiographies.
I agree with David that filmmakers need to be careful not to simplify or exploit the real people whose stories they are adapting, and to stay true to the authenticity of the source material. However, I also appreciate Rachel’s perspective that film adaptations can offer a unique and powerful way to bring these stories to life and to engage a wider audience.
One suggestion I have for both writers is to consider the role of the audience in the adaptation process. While it’s important for the filmmakers to stay true to the essence of the story and the voice of the author or subject, they also need to consider how the story will be received by a wider audience.
Overall, I think this discussion has highlighted the complex and nuanced nature of film adaptations of memoirs and autobiographies, and has given me a lot to think”
Vivek Sharma Announces Trio of Unique Films Under Filmzone Creation Banner
December 30, 2025
Director Vivek Sharma, known for “Bhoothnath,” is set to produce three films under his Filmzone Creation banner, each exploring unique subjects. Speaking at the press meet, Sharma described the projects as a series of family-friendly films infused with elements of paranormal activity, comedy, and dark humor, showcasing both new and established talent. Notably, Sharma himself will take on lead roles in two of these ventures.
The first film, “Sarayapali Ka Woh Ghar,” delves into paranormal activities, drawing inspiration from real-life events. Sharma emphasized the film’s emotional and dramatic depth and said it is expected to go into production soon.
The second film, titled “Ka Kha Ga Gha Nanga,” offers a comedic take on the Hindi alphabet, portraying the lives of farming families and urban dwellers, reflecting the contrast between traditional hand pump usage and the modern reliance on sanitizers. The film will feature a cast of 15 children alongside prominent actors.
The third film, “Chullu Bhar Pani,” is a black humor comedy centered around a village grappling with a severe water shortage. The narrative follows the villagers’ naive yet humorous attempts to resolve their predicament. Sharma highlighted the intriguing nature of both the title and the storyline.
Sharma, addressing the media, expressed his commitment to providing a platform for emerging talent through Filmzone Creation, aiming to release two quality films annually. He also mentioned that the banner’s upcoming projects will feature a blend of newcomers and established stars.
Prior to this announcement, Vivek Sharma directed films such as “Bhoothnath” (released May 9, 2008), produced by B.R. Chopra’s production company and Ravi Chopra. The film starred Amitabh Bachchan, Shah Rukh Khan, and Juhi Chawla. The film is a family drama, fantasy, and horror mix that tells the heartwarming story of a friendship between a ghost and a child with humor.
‘Kal Kissne Dekha’ released on June 12, 2009, featured Rishi Kapoor, Jackie Bhagnani, and Vaishali Desai in lead roles. Produced by Vashu Bhagnani, this romantic science-fiction film revolves around a boy who can glimpse into the future.
‘A Game Called Relationship,’ released on February 14, 2020, was produced and starred Vivek Sharma. The film explores modern relationships, focusing on the dynamics of live-in partnerships and is intended to be a clean, family-friendly film.
In a remarkable display of cinematic success, ‘Dhurandhar,’ starring Ranveer Singh and Akshaye Khanna, continues its reign at the box office, setting new benchmarks. Veteran actor Rakesh Bedi, who portrays politician Jameel Jamali in the Aditya Dhar-directed spy-action thriller, shared his insights on the film’s overwhelming reception. He recalled a prediction he made prior to the film’s release, stating, “‘Dhurandhar’ is not going to raise the bar, it is going to break the bar.” The film’s performance seems to validate Bedi’s bold statement.
Bedi also recounted an enthusiastic fan reaction on Instagram, illustrating the audience’s deep engagement with ‘Dhurandhar,’ where a fan expressed impatience for the sequel’s release.
In a video shared on Instagram, Bedi expressed his excitement, stating, “Friends, ‘Dhurandhar’ is showing no signs of stopping; it continues to run and run. Before the film’s release, I made a statement that ‘Dhurandhar’ is not going to raise the bar, it is going to break the bar, because people are going to see this film repeatedly, continuously, and that is exactly what is happening.”
He further added, “People are showering so much love, it’s like a tsunami. I would say this film is like my friend’s restaurant in Delhi, Juggernaut.”
Bedi expressed his gratitude for the widespread acclaim the film has received. He highlighted a particular fan’s reaction, recounting, “One lady told me that after watching the film, she was angry about why it ended. And after watching the film, she felt like she should go to sleep and wake up directly on March 19, when its next part will be released. Isn’t that amazing?”
He extended his appreciation to the director and the production team, noting, “This film has become an international rage, which I believe has never happened in Indian cinema history. Such rage, such love, such a big tsunami. I thank JioStudio, the entire team of ‘Dhurandhar,’ and especially the director Aditya Dhar. Hats off to you, Aditya. Love you, brother.”
As per Sacnilk, ‘Dhurandhar’ has amassed ₹517 crore net in its first 16 days. The film further garnered ₹38.5 crore net on a recent Sunday, elevating its domestic total to ₹555.72 crore. ‘Dhurandhar’ has surpassed the lifetime collections of Sunny Deol’s ‘Gadar 2’ (₹525 crore net), Shah Rukh Khan’s ‘Pathaan’ (₹543 crore), and Ranbir Kapoor’s ‘Animal’ (₹553 crore).
According to Comscore, ‘Dhurandhar’ ranked among the top five global releases in its second weekend. With an overseas gross of $18 million, the film has exceeded ₹750 crore worldwide as of Friday and is projected to join the ₹800-crore club imminently.
