Artists
Saint Marie Records Opens in Fort Worth
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Wyatt wanted a mid-sized store that didn’t overwhelm you, was warm and inviting, with a highly curated and eclectic selection that had no “Filler.” (Wyatt defines “Filler” as junk records used for filling the space between the good records that make the store look fuller.) Instead, the store seems part record shop, and part art gallery, with beautiful prints hanging on the wall representing some of Wyatt’s favorite artists and albums. There is a lounge area for sitting back and listening to music on, as Wyatt puts it, “The best sound system Texas has to offer in a record shop.”
No expense was spared in setting up this record collector’s haven. Saint Marie called on Frisco’s Divine Audio Visual (DAV) for the store audio system to install 4 Klipsch towers that sound heavenly. DAV is the exclusive Klipsch Heritage dealer in DFW.
There is a massive wall of box sets, a collectors section, records divided by genre, and an extensive used record selection. Every used record you buy from Saint Marie has been washed with the “Degritter” sonic record cleaner. “I was tired of seeing overpriced, dirty, and scratched used records being passed off as valuable collector’s items just because they are vintage,” Wyatt said. Saint Marie has a seven-day guarantee on all their used records. If you are unhappy with your used record, just bring it back within seven days with a receipt for store credit.
Wyatt says he still needs to complete his vision for the store, as they have much more planned, including twice the inventory. Still, it’s already a place you will want to add to your rotation of record-digging stops.
Saint Marie Records
623 N Chandler Dr.
Fort Worth, TX 76111
SaintMarieRecords.com
(817) 744-7100
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SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.
The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.
"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."
Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.
Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.
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C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.
The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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