Artists
Weddings and Funerals: a New CD from Singer/Songwriter Brett Gadbois
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We drank wine
On Jim’s grave
Had a good time
On Jim’s grave
Rock and roll will never die
It just might get buried alive…
In Jim’s grave
Brett’s path has been a serpentine one. He’s followed music wherever it led him. He started off playing saxophone in a western swing band, then clarinet in a jazz duet. He began to write songs at the piano. First, a trickle, then a torrent. He’s played in jug bands, bar bands, original bands, country bands and R&B bands. Performed in smoky bars, lounges, coffeehouses, rock clubs, street fairs, parks, parades, farmers markets, swanky birthday parties, halls, hotels, memory care facilities, auditoriums, and the Palace Theater in Los Angeles. He’s played for oldsters, toddlers, teenagers, hippies, bikers, moms, dads, rockers, off-their-rockers, dancers, doctors, dog-lovers, cat people, babies, lawyers and veterans.
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SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.
The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.
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Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.
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The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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