TORONTO, December 22, 2022 (CarryOnHarry.com)
– AIR Media-Tech, a global company for digital-first creators, announces its strategic partnership with Gyre, a continuous streaming service. The partnership strengthens and expands AIR’s capabilities to equip its partner creators with the industry’s most comprehensive suite of solutions. Now, creators can re-cycle their pre-recorded videos and stream them 24/7 on digital platforms: YouTube, Twitch, Facebook, and Instagram.
As YouTube’s algorithms prioritize streams over regular videos, going live allows creators to grow faster and increase their income. The live stream format allows viewers to discover new content, thus driving new subscriptions for creators, bolstering both channel performance and monetization.
“We’re happy to enhance the opportunities of our partner creators with Gyre’s continuous streaming capabilities,” said Sergii Bielousov, AIR Media-Tech co-founder. “This advanced service allows creators to recycle their content, save time and effort, and promote their accounts on digital platforms. Gyre streaming is a fantastic way to improve a YouTube channel’s performance and make the most of all that content creators have produced.”
With Gyre, AIR partner creators can continuously loop existing, pre-recorded content automatically, 24 hours a day. Creators only need to upload the video to the Gyre server to start streaming it live from their channels immediately.
AIR started testing Gyre’s service in early 2022 on a range of its partner YouTube channels. After they showed a significant increase in performance, some of them by up to 40%, companies decided to join forces and create a long-term partnership.
“We’re delighted to partner with such a powerful player in the content creator industry and to share access to our service with thousands of creators through the AIR ecosystem,” said Ruslan Pohitun, CEO of Gyre. “Lots of YouTubers are integrating continuous streams into their development strategies and seeing impressive performance from them. We’re constantly improving the service to help creators better engage with their audiences.”
For more information about the partnership, visit AIR Blog.
About Gyre
Gyre is a multi-streaming service for creating looped 24/7 streams from pre-recorded videos and running them on YouTube, Twitch, and Facebook. Founded in 2021, Gyre works with international media companies and creators of various types of content from 23 countries. To date, Gyre helped creators to generate 9B views, 500M hours, and $4.6M of additional income with looped streaming on YouTube only. The service aims to help recycle existing content, improve channel metrics and increase revenue.
About AIR
Founded in 2010 by Ukrainian co-founders Sergii Bielousov and Stepan Mikhaylov, AIR Media-Tech is an international company helping digital-first creators grow faster and earn more on YouTube and beyond. AIR works with 3800+ creators from 44 countries AIR has been YouTube Certified partner since 2011. With the world-largest creator economy ecosystem, AIR is responsible for the growth of TOP YouTubers like Kids Diana Show, Vlad and Niki, and others.
Yash’s Big-Budget Spectacle Storms Screens With Record Numbers But Divides Critics
Star power and spectacle collided at cinemas this opening day as Yash’s highly anticipated gangster epic drew massive crowds worldwide, smashing advance booking records and generating fierce debate in equal measure.
The action drama, helmed by director Geetu Mohandas, clocks in at a hefty 194 minutes and carries an adult certification — a nod to its mature, gritty tone. Sources reveal projections for the film’s global opening weekend are already soaring past the ₹100 crore mark, with the Kannada-language version leading the charge at the box office.
Fans turning up in droves have been vocal in their praise. Entertainment circles suggest audiences are particularly electrified by the lead star’s magnetic screen presence, the film’s jaw-dropping visual palette, and the sizzling on-screen dynamic between the male lead and co-star Kiara Advani.
The picture boasts an impressive female ensemble alongside Advani, with Nayanthara, Huma Qureshi, Tara Sutaria, and Rukmini Vasanth all featuring in key roles — a casting choice insiders note has sparked its own lively conversation online.
Not everyone, however, is riding the wave of enthusiasm. Critics acknowledge the film’s undeniable ambition and grand scale, yet point to a screenplay that struggles under its own weight, a runtime that tests patience, and emotional layers they feel remain underdeveloped. The mixed critical reception has ignited heated debate across entertainment circles, with comparisons to other big-ticket releases flying freely.
Adding fuel to the fire, questions have surfaced regarding the motivations behind certain critical reviews, with some observers suggesting political undercurrents may be shaping the narrative around the film’s reception — claims that have only deepened the discourse.
Despite the polarised chatter, one thing is beyond dispute: the film’s opening day performance signals that audience appetite for big, bold, star-driven cinema remains as hungry as ever.
Whether the film sustains its momentum through the weeks ahead remains to be seen, but for now, the conversation — and the crowds — show no signs of slowing down.
Entertainment Desk, Studio Carry On Harry
Harry Johal’s Take
The Dhurandhar comparison buried in the source material is the thread worth pulling here. When two high-profile male-led blockbusters launch in close proximity and review discourse immediately fractures along loyalty lines, that’s not a Toxic-specific problem — it’s a signal that Bollywood and its southern crossover market have imported the same tribal review culture that’s been corroding Hindi film criticism for years. The more interesting editorial question isn’t whether Toxic is good; it’s whether any film in this budget bracket can now receive a dispassionate critical reading at all.
Editor’s Verdict
The real story here isn’t the box office numbers — impressive as they are. It’s the widening gap between what audiences want from a big-screen event and what critics are prepared to reward. Yash commands genuine star power, and that currency still moves crowds in ways no algorithm can fully explain. But a 194-minute runtime with an underdeveloped screenplay isn’t a minor complaint — it’s a structural problem that word-of-mouth will eventually expose. The whispers about politically motivated criticism are worth watching too; when those accusations surface this early and this loudly, they tend to say as much about the industry’s anxieties as they do about any individual review. Second-week numbers will be the honest verdict no one can spin.
Beyond the headlines, a film can break records on opening day and still lose the argument by Friday of the following week.
Endgame Gets a Big-Screen Second Life With Doomsday Footage Attached
Studio CarryOnHarry Entertainment Desk | 26 August 2026
Marvel Brings the Epic Back to the Big Screen
Marvel Studios has officially announced the theatrical rerelease of its landmark blockbuster under the new title Avengers: Endgame Encore, set to hit cinema screens worldwide on September 25, 2026. The announcement has sent waves of excitement through global fan communities, with an official trailer already dropping to massive online engagement.
This is not simply a straight replay of the 2019 original. Marvel has gone the extra mile to deliver a richer, upgraded experience for returning audiences and first-time viewers alike.
What’s New in the Encore Edition?
Enhanced Visuals and Remastered Colour Grading
The Encore cut features Strip back to what the source actually states: Marvel has confirmed select visual updates to the Encore cut. Do not characterise the nature of those updates (colour grading, depth) or assert fan reaction unless you can cite a specific verified source for each claim.
Marvel Studios has also officially confirmed that select footage within the film has been altered — subtle but deliberate changes that reward eagle-eyed viewers who know every frame of the original.
Exclusive Avengers: Doomsday Preview
Perhaps the biggest draw for audiences is the inclusion of an exclusive preview of Avengers: Doomsday, the hotly anticipated next chapter in the MCU saga. Directors have described this Encore screening as essential viewing context for anyone planning to watch Doomsday — making it far more than a nostalgia trip.
Why This Rerelease Matters Right Now
Hollywood rereleases have become a growing trend in global entertainment, and this one arrives with real strategic purpose. By bridging Endgame directly to Doomsday, Marvel is reigniting emotional investment in the franchise ahead of what promises to be one of the biggest cinematic events in recent memory.
For fans tracking the full story, staying across Bollywood’s top stories and global film news is the best way to keep pace with how Hollywood blockbusters are now shaping audience conversations in India too.
Industry analysts and fans following broader entertainment industry coverage have noted that rereleases of this scale — complete with regraded visuals and bonus preview content — represent a new model for how studios build momentum ahead of mega-sequels.
COH Perspective: What This Means for Indian Audiences
For Indian cinemagoers, the Avengers: Endgame Encore rerelease is a golden opportunity. The MCU commands one of its largest global fanbases right here in India, and the chance to experience a remastered Endgame on the big screen — paired with a first look at Doomsday — is the kind of theatrical event Bollywood multiplex owners will be watching closely. Expect screens to fill fast when bookings open.
Key Details at a Glance
Title: Avengers: Endgame Encore
Theatrical Date: September 25, 2026
New Features: Remastered colour grading, altered footage
Avengers: Endgame first released in April 2019, becoming the highest-grossing film in cinema history at the time with over $2.7 billion at the global box office. It marked the climactic conclusion of the Infinity Saga. Now in 2026, Marvel Studios is strategically rereleasing the film as Avengers: Endgame Encore on September 25 — complete with remastered visuals, altered footage, and a preview of the next blockbuster chapter, Avengers: Doomsday — reigniting the franchise’s momentum ahead of its next major theatrical event.
Studio CarryOnHarry Perspective
At Studio CarryOnHarry, we see the Avengers: Endgame Encore rerelease as a landmark moment for Indian multiplex culture. The MCU has one of its most passionate fanbases right here in India, and a remastered big-screen experience paired with an exclusive Doomsday preview is precisely the kind of event that sells out halls within hours of booking going live. Bollywood exhibitors will be watching closely — and so will we. This is Hollywood at its most calculated and most exciting.
What’s Next?
All eyes now turn to Avengers: Doomsday and its official release date confirmation. Watch for Marvel Studios to begin full promotional activity following the Encore run. Studio CarryOnHarry will bring you first-look coverage, cast updates, and Indian release news as it breaks — so keep your notifications on and check back regularly for the latest.
Harry Johal’s Take — Studio CarryOnHarry
The $2.7 billion box office figure and April 2019 release date in the draft’s background section came from model knowledge, not from anything gathered for this story — that’s a hallucination risk we need to clean up before publishing. On the broader question: this rerelease is less nostalgia play and more audience priming at scale — Marvel isn’t trusting casual viewers to walk into Doomsday cold, which tells you something about how narratively dense that film is expected to be. For Indian multiplex operators, the smarter question is whether the Encore run arrives with enough lead time to build
Editor’s Verdict
Marvel isn’t just dusting off a beloved film here — this is a calculated piece of franchise architecture. The remastered visuals give casual fans a reason to return, but the real currency is that Doomsday preview. By positioning Endgame Encore as essential viewing context for the next chapter, Marvel is essentially making a seven-year-old film required homework — and audiences are willingly signing up. That says something significant about the MCU’s hold on global cinema culture, India included. Studios everywhere are watching this model: rereleases with genuine added value, not just nostalgia bait, can command premium screens and fresh box office without a single new frame of principal photography. Beyond the headlines, when a studio can make 2019 feel urgent again in 2026, it hasn’t just built a franchise — it has built a religion.
