People's Choice
Book Talks with Author Matthew Paris “A Confrontation of Souls & Words”
Matthew Paris’s latest book of poems, “A Confrontation of Souls & Words,” is a testament to his remarkable ability to capture the complexity of human emotions. His work draws inspiration from a variety of sources, including literature, music, and art, and his words resonate with readers on a deep level.
In this interview with CarryOnHarry, Paris will discuss his creative process and the emotional themes behind his work. He believes that writing is a tool for self-discovery and personal growth, and his work is not just about entertaining readers, but about inspiring them to look inward and connect with their deepest emotions. Paris’s approach to writing is refreshing and inspiring, and his words are an inspiration to us all.
About You and Your background ?
I was born and raised in Houston, Texas. Growing up, writing was something I never really thought about. As I got older, I discovered I was pretty good at it. I grew up playing sports, but my favorite subject in school was English Literature. It was my sophomore year of high school and my English teacher told me I was doing really well in the class. I didn’t get serious about it until college.
I attended Texas Tech University where I majored in English Literature. There I really learned about the form and storytelling. After I graduated, I began coaching youth athletes and started writing screenplays. I’ve written three short films at the time. The first one, “Crisis” won many accolades and was sold for television distribution. It played on AT&T U-VERSE and DirecTV. It played in the United States, Europe, Middle East, and Africa.
The second short film I wrote and directed was “The Last Catch.” It also won many accolades including the Silver Remi Award from Worldfest-Houston, and the California Film Award for best produced screenplay. The film was sold for television distribution and shown in the United States, Europe, Middle East, and Africa.
My first book was “Preparing Athletes For The Future” and is available on Amazon and other retailers worldwide. My latest book is my book of poems. “A Confrontation of Souls & Words” available worldwide on Amazon and Barnes & Noble online.
Matthew Paris Introduces Latest Book of Poems, ‘A Confrontation of Souls & Words
Title Of Your New Release
How much does your life reflects in your poetry ?
Some of my poems are very abstract, but I’ll pull from past events from my life. How it affected me. Through poems I like to give my thoughts of what’s around me, but maybe something I’ve learned from someone or just observed.
What is the central Emotional theme of your poetry book ?
Time and the earth. What kind of emotions are we feeling? How does it affect us in life.
Any personal expressions of life behind the book ? Someone/Something that inspired
I’m inspired by a lot of things in life. I wanted to talk about the emotions that we all feel and how do we deal with obstacles in our everyday life. I pull inspiration from a lot of different directions. If you look closely inspiration is everywhere.
Have you already started working on next book ? What is on your mind for it ?
I have started working on my next book. It deals with everyday life and how do we overcome obstacles and problems we face. It could be problems at work, in the family, or just everyday life. The important aspect is that you move forward.
Some Bits from book chapter you would like to share as curtain raiser for reader to know about what they are going to get from it ?
The first poem is about life and how do we find our love in life. Maybe are significant other is closer than you think.
How did you hear about CarryOnHarry ? Any message for Studio ?
Through research and Google. You guys do a great job and it’s a fun and informational website.
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Studio CarryOnHarry Entertainment Desk | 14 July 2026
One of Bollywood’s most anticipated historical dramas is gearing up for a deeply symbolic theatrical debut. Batwara 1947, produced under the banner of Aamir Khan Productions, is set to arrive in cinemas on 14 August 2026 — Partition Day — a release date that carries enormous emotional and historical weight for audiences across the subcontinent.
Directed by the acclaimed Rajkumar Santoshi, whose past works have consistently explored the moral and emotional complexities of Indian history, the film promises to be a sweeping, human-centred account of the 1947 India-Pakistan Partition — one of the most traumatic mass migrations in recorded history. The film stars Sunny Deol in what is expected to be a powerful central performance, bringing his trademark intensity to a story rooted in faith, identity, and survival.
The film’s promotional campaign has already made a striking impression. The official poster — released by Aamir Khan Productions — features a statue of Lord Krishna playing the flute, with a lit diya glowing in the foreground, set against a debris-strewn street bearing Urdu signage. The imagery is rich with symbolism: light amid destruction, devotion amid displacement, and the eternal question of dharma when civilisation fractures. The tagline underscores a central character’s choice of moral duty during the chaos of 1947’s divide.
Adding further prestige to the project is the involvement of A.R. Rahman, the Oscar-winning composer whose music is expected to give the film an emotionally resonant soundscape befitting such a monumental subject.
For more Bollywood coverage and updates on upcoming releases, visit Studio CarryOnHarry, your go-to destination for everything entertainment. Additional industry context and background on this production has been sourced via Live News Vault.
With its 14 August release — a date that marks both India’s Independence Day and the anniversary of Partition — Batwara 1947 appears poised to spark national conversation about memory, identity, and the stories that history often leaves untold. Cinema audiences should prepare for an experience that is as emotionally challenging as it is cinematically ambitious.
– Entertainment Desk, Studio Carry On Harry
Editor’s Verdict
A release date is rarely just a release date — and 14 August for *Batwara 1947* is about as loaded a choice as Indian cinema has seen in years. Santoshi directing, Aamir Khan Productions backing it, A.R. Rahman composing, and Sunny Deol carrying the emotional weight of a story that still lives in the bones of millions of families across both sides of the border — this isn’t a commercial calculation, it’s a cultural statement. The real test will be whether the film earns the gravity of its subject matter, because Partition is not a backdrop you can borrow lightly. Audiences who lost grandparents, great-grandparents, entire histories to 1947 will hold this film to an extraordinarily high standard, and rightly so. The symbolism in the poster suggests the filmmakers understand that responsibility. Whether the final film delivers on it is the only question that truly matters here.
Beyond the headlines, India has made countless films about independence — very few have dared to sit honestly with what independence actually cost.
Editor’s Verdict
A release date is rarely just a release date — and 14 August for *Batwara 1947* is about as loaded a choice as Indian cinema has seen in years. Santoshi directing, Aamir Khan Productions backing it, A.R. Rahman composing, and Sunny Deol carrying the emotional weight of a story that still lives in the bones of millions of families across both sides of the border — this isn’t a commercial calculation, it’s a cultural statement. The real test will be whether the film earns the gravity of its subject matter, because Partition is not a backdrop you can borrow lightly. Audiences who lost grandparents, great-grandparents, entire histories to 1947 will hold this film to an extraordinarily high standard, and rightly so. The symbolism in the poster suggests the filmmakers understand that responsibility. Whether the final film delivers on it is the only question that truly matters here.
Beyond the headlines, India has made countless films about independence — very few have dared to sit honestly with what independence actually cost.
Studio Ki Raye
Rajkumar Santoshi aur Aamir Khan Productions ka yeh combination ek cheez saaf kehta hai — yeh log jaante hain ki Partition sirf ek historical event nahi, balki ek open wound hai jo aaj bhi karodo gharanon mein zinda hai. Lekin yahan asli industry angle yeh hai ki 14 August ki date choose karna ek double-edged sword hai. Ek taraf patriotic fervour box office ka kaam kar sakta hai, doosri taraf agar film thodi bhi superficial lagi toh backlash utna hi tez hoga jitna aaj social media ka tempo hai. Sunny Deol ki casting bhi interesting choice hai — unka image traditionally ek khaas kind of nationalism se juda raha hai, toh dekhna hoga ki Santoshi unhe us frame se bahar kaise nikalte hain. A.R. Rahman ki involvement confidence deti hai ki treatment shayad nuanced hogi. Par ultimately, yeh film sirf cinema nahi — yeh ek generational reckoning hai.
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A Date That Defines a Legacy: Anil Sharma’s July 14 Holds Double Meaning
For veteran Indian filmmaker Anil Sharma, a single date on the calendar carries the weight of an entire lifetime — and he wants the world to know it.
Sources reveal that the acclaimed director recently took to social media to mark July 14 as a profoundly meaningful day in his personal and professional life. The date, it turns out, is a remarkable convergence of two milestones that have shaped his world in entirely different yet equally powerful ways.
On the professional front, entertainment circles note that July 14 marks the anniversary of Sharma’s very first directorial outing — a 1980 film featuring celebrated actress Rakhee Gulzar that launched what would become a long and distinguished career in Indian cinema. The debut represented the opening chapter of a filmmaking journey that has spanned decades.
Adding an even more personal layer, insiders note that the same date also happens to be the birthday of his daughter, Kairvina. The beautiful coincidence means that every July 14, Sharma finds himself reflecting on the twin pillars of his life — his art and his family.
According to sources, the filmmaker used the occasion to publicly express both gratitude and reflection, acknowledging the remarkable journey that stretches behind him while celebrating the people and moments that have defined it.
Critics and admirers in entertainment circles suggest that this kind of heartfelt transparency from a senior industry figure resonates deeply with fans, offering a rare and genuine glimpse behind the directorial curtain. It is a reminder that for many in the film world, passion and personal life are never truly separate.
For Sharma, July 14 is not merely a date — it is an annual reckoning with everything he holds dear.
- Entertainment Desk, Studio Carry On Harry
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