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Book Talks with Author Matthew Paris “A Confrontation of Souls & Words”

H Johal

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Book Talks with Author Matthew Paris  “A Confrontation of Souls & Words”

Matthew Paris Introduces Latest Book of Poems by, ‘A Confrontation of Souls & WordsI was born and raised in Houston, Texas. Growing up, writing was something I never really thought about. As I got older, I discovered I was pretty good at it. I grew up playing sports, but my favorite subject in school was English Literature. It was my sophomore year of high school and my English teacher told me I was doing really well in the class. I didn’t get serious about it until college.

I attended Texas Tech University where I majored in English Literature. There I really learned about the form and storytelling. After I graduated, I began coaching youth athletes and started writing screenplays. I’ve written three short films at the time. The first one, “Crisis” won many accolades and was sold for television distribution. It played on AT&T U-VERSE and DirecTV. It played in the United States, Europe, Middle East, and Africa.

The second short film I wrote and directed was “The Last Catch.” It also won many accolades including the Silver Remi Award from Worldfest-Houston, and the California Film Award for best produced screenplay. The film was sold for television distribution and shown in the United States, Europe, Middle East, and Africa.

My first book was “Preparing Athletes For The Future” and is available on Amazon and other retailers worldwide. My latest book is my book of poems. “A Confrontation of Souls & Words” available worldwide on Amazon and Barnes & Noble online.

A Confrontation of Souls & Words

Some of my poems are very abstract, but I’ll pull from past events from my life. How it affected me. Through poems I like to give my thoughts of what’s around me, but maybe something I’ve learned from someone or just observed.

Time and the earth. What kind of emotions are we feeling? How does it affect us in life.

I’m inspired by a lot of things in life. I wanted to talk about the emotions that we all feel and how do we deal with obstacles in our everyday life. I pull inspiration from a lot of different directions. If you look closely inspiration is everywhere.

I have started working on my next book. It deals with everyday life and how do we overcome obstacles and problems we face. It could be problems at work, in the family, or just everyday life. The important aspect is that you move forward.

The first poem is about life and how do we find our love in life. Maybe are significant other is closer than you think.

Through research and Google. You guys do a great job and it’s a fun and informational website.

https://www.amazon.com/Confrontation-Souls-Words-Matthew-Paris-ebook/dp/B0BLZ9Y9KK/ref=sr_1_6?qid=1681265538&refinements=p_27%3AMatthew+Paris&s=digital-text&sr=1-6&text=Matthew+Parishttps://www.amazon.com/Kindle-Store-Matthew-Paris/s?rh=n%3A13314001%2Cp_27%3AMatthew+Paris 

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Editor's Choice

Gondhal Wins India’s Oscar Slot After Dhurandhar Garners Just 4 Jury Votes

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Gondhal Wins India’s Oscar Slot After Dhurandhar Garners Just 4 Jury Votes

Balle Balle Radio™ Entertainment Desk

The Film Federation of India’s 14-member jury gave Ranveer Singh’s action drama "Dhurandhar" four votes that selects the country’s official entry for the Academy Awards, according to jury member Vivek Vaswani. "Gondhal," a Marathi-language film, was selected over it.

Each year, the Film Federation of India assembles a jury to select one film as India’s official submission for the Best International Feature category at the Oscars. The selection has long drawn debate in the industry, since a jury vote often overrides box office performance or star power in choosing which film gets submitted.

Vaswani said according to reports, the jury determined that "Dhurandhar" failed to sufficiently satisfy the selection criteria for Oscar submissions, according to reports of his comments. The distribution of the remaining ten votes was not disclosed by Vaswani, and the Federation has not issued a separate public statement breaking down the jury’s full deliberations beyond what Vaswani has said.

"Dhurandhar" stars Ranveer Singh and has been one of the more talked-about Hindi releases of the year. "Gondhal" is a Marathi-language film that will now go forward as India’s official Oscar submission.

Studio CarryOnHarry will be watching whether the Federation releases a fuller account of the jury’s reasoning, since a single member’s explanation is not the same as an official breakdown of the vote.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

Press Releases at Studio CarryOnHarry

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Editor's Choice

If it was good then why did Priyadarshan remake it, and if i

H Johal

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If it was good then why did Priyadarshan remake it, and if i

Balle Balle Radio™ Entertainment Desk

“If it was good then why did Priyadarshan remake it, and if it was good then why did he make it like this?” — Harry Johal

There’s a real question buried in these reviews that goes beyond bad filmmaking. When you remake your own film shot-for-shot, you’re not just being lazy — you’re saying something about how you view your audience. You’re betting they won’t notice, or won’t care, or won’t have access to the original. That’s contempt dressed up as commerce.

But what’s more interesting to me is what happened to Akshay Kumar’s choice here. Both reviewers agree his performance has moments, but he’s been relegated to a supporting role in his own film. That’s not a creative accident. That’s a structural collapse. You hire two of your biggest stars, you give one of them a blind character with all this potential — the sensory compensation, the daredevil physicality — and then you don’t actually use any of it. You just have him stand there and look intense.

The real failure isn’t that Haivaan is a bad remake. It’s that Priyadarshan didn’t remake anything. He copied. There’s a difference between honoring an original and duplicating it, and somewhere in that gap is where actual filmmaking happens. These reviewers watched a film that forgot to cross that gap.

Editor’s Thought Of The Moment — Harry Johal, Studio CarryOnHarry

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