The glitz of Bollywood often obscures the brutal realities of box office failure. From a perch far removed from Mumbai’s studios, somewhere in Vietnam, the scent of cinematic disaster still manages to waft in. This week, the post-mortem centers on two films that promised much and delivered little: ‘Baaghi 4’ and ‘The Bengal Files,’ alongside the surprising triumph of a Hollywood horror flick.
‘Baaghi 4,’ touted as the next chapter in Tiger Shroff’s action saga, crash-landed despite a decent opening. Insiders whisper of inflated numbers, suggesting that nearly half of the opening day collections were due to strategic block bookings—a desperate attempt to mask the film’s inevitable slide. By Monday, the facade crumbled, revealing a mere trickle of earnings. Tiger’s desperate promotional stunts—bare-chested appearances at single-screen theaters—reeked of desperation, not celebration. The film’s failure isn’t just a career setback for Shroff; it’s a glaring indictment of the industry’s reliance on tired formulas and star power over substance. Has Tiger Shroff lost his stripes? The audience has spoken, and their verdict is damning.
Then there’s ‘The Bengal Files,’ Vivek Agnihotri’s ambitious follow-up to ‘The Kashmir Files.’ While the trailer promised a searing exposé, the film failed to connect with audiences. Sources suggest a combination of factors contributed to its downfall: a regional focus that limited its appeal, a lack of critical support, and alleged unofficial bans in West Bengal. The film’s extended runtime didn’t help matters, with whispers suggesting Agnihotri’s refusal to trim the excess baggage led to its box office demise. Was this another case of the filmmaker’s own hubris overshadowing the story?
Amidst these Bollywood disappointments, Hollywood’s ‘Conjuring’ franchise quietly raked in the moolah. With minimal promotion and zero fake bookings, the horror film surpassed the combined earnings of ‘Baaghi 4’ and ‘The Bengal Files.’ This isn’t just a win for Hollywood; it’s a wake-up call for Bollywood. It underscores the audience’s appetite for well-crafted genre films, a space where Bollywood has consistently fumbled. Are Indian horror films trapped in a creative abyss?
What’s the real takeaway from this box office bloodbath? Stop throwing ludicrous sums of money at mediocre projects with stars who can’t guarantee returns. The industry needs to reassess its obsession with star power and invest in compelling stories. Budgets need to be slashed, and actors need to understand their market value. The era of inflated egos and exorbitant fees must end if Bollywood wants to survive.
Are Bollywood filmmakers finally ready to confront reality, or will they continue to cling to outdated formulas and self-delusion?
Vivek Sharma Announces Trio of Unique Films Under Filmzone Creation Banner
December 30, 2025
Director Vivek Sharma, known for “Bhoothnath,” is set to produce three films under his Filmzone Creation banner, each exploring unique subjects. Speaking at the press meet, Sharma described the projects as a series of family-friendly films infused with elements of paranormal activity, comedy, and dark humor, showcasing both new and established talent. Notably, Sharma himself will take on lead roles in two of these ventures.
The first film, “Sarayapali Ka Woh Ghar,” delves into paranormal activities, drawing inspiration from real-life events. Sharma emphasized the film’s emotional and dramatic depth and said it is expected to go into production soon.
The second film, titled “Ka Kha Ga Gha Nanga,” offers a comedic take on the Hindi alphabet, portraying the lives of farming families and urban dwellers, reflecting the contrast between traditional hand pump usage and the modern reliance on sanitizers. The film will feature a cast of 15 children alongside prominent actors.
The third film, “Chullu Bhar Pani,” is a black humor comedy centered around a village grappling with a severe water shortage. The narrative follows the villagers’ naive yet humorous attempts to resolve their predicament. Sharma highlighted the intriguing nature of both the title and the storyline.
Sharma, addressing the media, expressed his commitment to providing a platform for emerging talent through Filmzone Creation, aiming to release two quality films annually. He also mentioned that the banner’s upcoming projects will feature a blend of newcomers and established stars.
Prior to this announcement, Vivek Sharma directed films such as “Bhoothnath” (released May 9, 2008), produced by B.R. Chopra’s production company and Ravi Chopra. The film starred Amitabh Bachchan, Shah Rukh Khan, and Juhi Chawla. The film is a family drama, fantasy, and horror mix that tells the heartwarming story of a friendship between a ghost and a child with humor.
‘Kal Kissne Dekha’ released on June 12, 2009, featured Rishi Kapoor, Jackie Bhagnani, and Vaishali Desai in lead roles. Produced by Vashu Bhagnani, this romantic science-fiction film revolves around a boy who can glimpse into the future.
‘A Game Called Relationship,’ released on February 14, 2020, was produced and starred Vivek Sharma. The film explores modern relationships, focusing on the dynamics of live-in partnerships and is intended to be a clean, family-friendly film.
In a remarkable display of cinematic success, ‘Dhurandhar,’ starring Ranveer Singh and Akshaye Khanna, continues its reign at the box office, setting new benchmarks. Veteran actor Rakesh Bedi, who portrays politician Jameel Jamali in the Aditya Dhar-directed spy-action thriller, shared his insights on the film’s overwhelming reception. He recalled a prediction he made prior to the film’s release, stating, “‘Dhurandhar’ is not going to raise the bar, it is going to break the bar.” The film’s performance seems to validate Bedi’s bold statement.
Bedi also recounted an enthusiastic fan reaction on Instagram, illustrating the audience’s deep engagement with ‘Dhurandhar,’ where a fan expressed impatience for the sequel’s release.
In a video shared on Instagram, Bedi expressed his excitement, stating, “Friends, ‘Dhurandhar’ is showing no signs of stopping; it continues to run and run. Before the film’s release, I made a statement that ‘Dhurandhar’ is not going to raise the bar, it is going to break the bar, because people are going to see this film repeatedly, continuously, and that is exactly what is happening.”
He further added, “People are showering so much love, it’s like a tsunami. I would say this film is like my friend’s restaurant in Delhi, Juggernaut.”
Bedi expressed his gratitude for the widespread acclaim the film has received. He highlighted a particular fan’s reaction, recounting, “One lady told me that after watching the film, she was angry about why it ended. And after watching the film, she felt like she should go to sleep and wake up directly on March 19, when its next part will be released. Isn’t that amazing?”
He extended his appreciation to the director and the production team, noting, “This film has become an international rage, which I believe has never happened in Indian cinema history. Such rage, such love, such a big tsunami. I thank JioStudio, the entire team of ‘Dhurandhar,’ and especially the director Aditya Dhar. Hats off to you, Aditya. Love you, brother.”
As per Sacnilk, ‘Dhurandhar’ has amassed ₹517 crore net in its first 16 days. The film further garnered ₹38.5 crore net on a recent Sunday, elevating its domestic total to ₹555.72 crore. ‘Dhurandhar’ has surpassed the lifetime collections of Sunny Deol’s ‘Gadar 2’ (₹525 crore net), Shah Rukh Khan’s ‘Pathaan’ (₹543 crore), and Ranbir Kapoor’s ‘Animal’ (₹553 crore).
According to Comscore, ‘Dhurandhar’ ranked among the top five global releases in its second weekend. With an overseas gross of $18 million, the film has exceeded ₹750 crore worldwide as of Friday and is projected to join the ₹800-crore club imminently.
