Studio Carry On Harry 15 June 21 : An interview to meet and know a passionate music artist and band leader Cass Clayton . The Occasion was perfect as her new song ” City Noise ” has been released , studio had a session of Q & A with Cass to know about her musical passion as well as story behind making of her new song and her journey ever since limelight kissed her.
Talking about Cass Clayton Band emanates an enthusiasm as well as power that has made them a favorite in festivals and venues across North America. Cass has made her means into the hearts of music lovers almost everywhere with her expressive lyrics, smoky-smooth voice as well as a belting vocal array that will knock you flat. She’s additionally known for some soulful slide guitar having fun. Cass Clayton Band blends impacts of rock, funk, heart, scripture and blues in a new way with plenty of innovative sounds and unforeseen spins.
About her new song
“City Noise” is one of those songs that has a lot of layers to it, because the “city” is really “humanity.” When the city suffers, the collective suffers. – Cass Clayton
Tell us about yourself ?
I’m Cass Clayton of the Cass Clayton Band (based out of Denver, CO). We’re so excited to be setting up tours again and to be sharing all of the new music that came out of the silence. It was a hard year for all musicians, but it forced us to thrive creatively and stretch our sound in new directions. We’ve been really experimental in the studio.
How long you been in performing arts ?
I’ve been in performing arts for 7 years. Initially I was in a band that covered soul and blues music. But I quickly realized I had to write my own music, and explore a more genre-bending approach. I was really fortunate early on to meet a great co-writer and composer, Taylor Scott, and we’re almost finished with our third album together.
What was most attractive part for you to be in this industry ?
I love following the songwriting process to its natural, and always surprising, conclusion. You reach your hand into the dark and pull something in that’s from your subconscious. You don’t really know what it has to say to you, and if you try to bully a song into a certain direction, it will continue to hide until you finally let go. It’s a beautiful and sometimes frustrating process.
Share some experiences ( good or bad ) any that made you grow in life or profession ?
My biggest growth experience has definitely been about forcing myself to work with new people, even though it feels safer to make music with the people I’ve known for a long time. Bringing a new person into the room can re-energize everything and I love seeing through the lens of a different artist. But it’s also scary sometimes. It’s easier to stay with what and who you know, but I always find a way to break out of my little shell and trust that there’s something new and exciting to learn.
Who inspired you ? How do you work on creating your own signature style ?
My early inspirations were blues musicians like Hubert Sumlin, Blind Willie Johnson, Elmore James, and Koko Taylor. That all came from my dad’s love of blues music. But I was also obsessed with the Allman Brothers, Eric Clapton, and a lot of rock music with those old-school influences. I’ve also always listened to singer-songwriters like Joni Mitchell, because there’s nothing more exciting to me than a story well told in a song. My own voice is a continually evolving thing. I don’t think I worked on creating it. I like to allow the songs to come in the way they want to, and co-writing with Taylor Scott contributes to that voice as well through all of his influences and skill as a composer.
What do you want to convey through your music?
That’s a really great question and one that’s not easy to answer. For me, every song has it’s own a message and a vibration. Each song carries a frequency through the lyrics and instrumentation, which is a signature that will never again repeat itself in the universe. So it’s a grand experiment. If a song allows someone to feel joy or process something sad, maybe that frequency was for them. I always intend for all of our music to give each person exactly what they need in that moment. If 100 people look at a painting they’ll all translate it through their own lens, and songs can be like that too.
Story behind making of your new track / Album?
I started writing “City Noise” late at night after going to a friend’s show downtown. This was during the midst of the shut down and the city was completely empty, so it was eerie. Normally there would be a room full of people outside talking after a great concert, and I had to write about how much I was yearning to hear some city noise.
Any interesting trivia about making of song ?
Cass-Clayton-Band-City-Noise
Well, I think “City Noise” is one of those songs that has a lot of layers to it, because the “city” is really “humanity.” When the city suffers, the collective suffers. I could go on and on about this, because it’s a deep subject, but basically we wanted to find a way to express the intensity of the mood when the city was empty. One of the ways we did that was by choosing to have two bass players on the song (upright and electric), which makes it super moody.
People who you would like to thank ?
I have a long list! Taylor Scott, co-writer and producer and Geoff Gray, owner of Far & Away Studios, Alex Stricker, sound engineer. All of the musicians who worked on this in the studio blew my mind: Jon Wirtz (keys), Brian Claxton (drums), Chris Harris (bass), Patrick McDevitt (upright bass). My family for putting up with my absence!
People who you would like to work with and people you idolize to be like professionally ?
You can put Warren Haynes at the top of the list in both categories. There are countless musicians I admire, but the ones I want to work with most have heavy blues, rock and soul influences and are innovative at the same time.
Where do you see your music 3 years from now ?
Now that the world is opening up again, I see us touring more and playing around the country and possibly internationally depending on the state of the world. I just want to be sharing the music and the joy as much as possible.
How would you like to stretch your boundaries of genre in future projects ?
I would like to do some writing and collaborate with more artists who inspire me. Since we’ve always been pretty non-denominational in terms of genre, I want to continue to explore that. For me, it’s about keep things fresh and contemporary and being open to learning new things and adding new sounds to the music. I like it when I feel like a little kid going down a slide really fast.
Message for Fans and listeners
We are so grateful for all of the support during what was a pretty crazy year for humanity and a slightly terrifying one for full-time musicians. I hope you’ll always come by and talk to me after the show. Those connections keep me going and make playing so much fun.
Stay Tuned for some more wonderful artists and bands at Studio CarryOnHarry. If you are the one who is doing some great work and would like to be featured. Do drop us your story in Submit Interview Here A well documented / authentic story will be published after research by our editorial team. Thank You
Understanding Podcasting Microphones: An In-Depth Guide for Beginners and Professionals
Types of Podcasting Microphones
Dynamic Microphones
Dynamic microphones are the most popular choice for podcasting. They convert sound into electrical signals using a diaphragm, coil, and magnet. These microphones are robust, can handle high sound pressure levels, and require less gain than other types. This makes them excellent for capturing voices in less-than-ideal acoustic environments. The Shure SM7B and the Electro-Voice RE20 are industry standards among podcasters.
Condenser Microphones
Condenser microphones are sensitive and tend to capture a wider frequency range compared to dynamic microphones. They require phantom power to operate and are ideal for capturing subtle vocal nuances, making them great for voice work in studios. Notable condenser microphones include the Audio-Technica AT2020 and the Rode NT1-A, both widely admired for their clarity and depth.
Lavalier Microphones
Lavalier microphones, or lapel mics, are small, clip-on devices ideal for interviews and on-the-go recording. They ensure hands-free operations and are particularly useful for video podcasts. Wireless options add flexibility, allowing hosts to move freely during recordings. Popular choices include the Rode SmartLav+ and the Sennheiser ME 2-II.
USB Microphones
For those looking for simplicity and convenience, USB microphones are perfect. They connect directly to a computer without the need for additional equipment. While they may not deliver the same quality as XLR microphones, models like the Blue Yeti and the Audio-Technica ATR2100x-USB are excellent for beginners and home podcasters.
Important Features of Podcast Microphones
Frequency Response
Frequency response defines how a microphone reacts to different sound frequencies. Most voices fall within the 80Hz to 15kHz range, so a good podcasting microphone should adequately capture this spectrum. A flat frequency response is usually preferable, allowing for a more natural sound.
Polar Patterns
The polar pattern of a microphone determines its sensitivity in various directions. The most commonly used patterns are:
Cardioid: Ideal for podcasting as it captures sound from the front while minimizing background noise.
Omnidirectional: Captures sound from all directions, useful for roundtable discussions but picks up more ambient noise.
Bidirectional: Captures sound from the front and rear, suitable for interviews between two people.
Sensitivity and Sound Pressure Level (SPL)
Sensitivity measures how effectively a microphone converts sound into an electrical signal. A higher sensitivity microphone captures softer sounds without requiring additional gain. Sound pressure level (SPL) measures how loud of a sound the microphone can handle without distortion. Choosing a mic with appropriate SPL ratings is crucial, especially in louder environments.
Essential Accessories for Podcasting Microphones
Pop Filters
Pop filters reduce plosive sounds (like “p” and “b” sounds) that can cause distortion. They are typically made of a screen or foam, which diffuses rapidly moving air before it hits the microphone diaphragm.
Microphone Stands and Boom Arms
Proper positioning is critical for optimal audio capture. Microphone stands and boom arms allow podcasters to adjust their microphone’s position easily while keeping hands free for notes or gestures.
Shock Mounts
Shock mounts prevent vibrations and handling noise from reaching the microphone, ensuring cleaner recordings. They are especially useful when recording in less controlled environments.
Audio Interfaces
For those using XLR microphones, an audio interface is necessary to convert the analog signal into digital for your computer. Popular models include the Focusrite Scarlett 2i2 and the PreSonus AudioBox USB, which provide excellent sound quality and ease of use.
Tips for Choosing the Right Microphone
Define Your Needs
Consider your podcasting style. Are you recording solo, interviews, or panel discussions? The type of conversations you have will dictate your microphone choice.
Budget Considerations
While it’s easy to get carried away with high-end equipment, plenty of budget-friendly microphones offer excellent quality. Determine a budget that allows for good quality without breaking the bank.
Test Before You Buy
Whenever possible, test microphones in-store to find the sound that best suits your voice. Listening to the audio capture can significantly influence your decision.
Read Reviews and Watch Tutorials
Before investing, check online reviews and tutorials. Many YouTube channels offer in-depth sound tests and comparisons to help you make informed choices.
Maintenance and Care for Podcasting Microphones
To extend the lifespan of your microphone, regular maintenance is vital. Here are some key maintenance tips:
Keep it Clean: Dust and saliva can accumulate and affect sound quality. Use a soft cloth to wipe down your microphone regularly.
Use Windscreens: For outdoor recording, use a windscreen to prevent wind interference and protect the mic from moisture.
Store Properly: When not in use, store your microphone in a protective case to prevent physical damage.
Enhancing Your Podcasting Experience
Investing in a good microphone is just the beginning. To fully get the most out of your podcasting experience, include thorough planning, effective editing software, and quality recording space. An acoustically treated room, for example, can significantly reduce background noise and enhance vocal clarity.
Understanding the nuances of podcasting microphones will empower you to make informed decisions that improve your production quality. Armed with the right microphone and accessories, you can deliver a rich audio experience, engage your audience, and elevate your podcasting journey to new heights.
Manoj Bajpayee, a celebrated actor known for his powerful performances, has recently voiced his concerns regarding the pervasive influence of PR machinery within Bollywood. Bajpayee argues that the industry’s increasing focus on public relations often overshadows genuine acting talent, leading to a skewed perception of success and merit.
Bajpayee’s comments come amidst ongoing debates about the phenomenon of ‘National Crush’ titles and the superficiality of fame. He suggests that such manufactured hype can be detrimental to the careers of trained actors who dedicate themselves to the craft, but may not possess the resources or inclination for extensive self-promotion.
He emphasized the importance of acting prowess over PR stunts, highlighting the potential humiliation faced by actors who have honed their skills through rigorous training, only to be sidelined by individuals prioritizing media visibility. Bajpayee’s own career, alongside that of fellow actor Piyush Mishra, serves as an example of sustained success built on consistent, quality performances rather than fleeting PR campaigns.
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I’m Cass Clayton of the Cass Clayton Band (based out of Denver, CO). We’re so excited to be setting up tours again and to be sharing all of the new music that came out of the silence. It was a hard year for all musicians, but it forced us to thrive creatively and stretch our sound in new directions. We’ve been really experimental in the studio. 
