Studio Carry On Harry [ Interviews with Musician Singers Bands ] We are glad to exchange Music Talks with Mikael Mastecki of Mastecki Records. The good occasion of connecting with us being release of 4 tracks available on all streaming platforms and the latest called Wreck released in Feb 2021.
How long you been in performing arts ? Share some details of initial days / learning days / experimenting days to grow to BE WHAT YOU ARE TODAY
Many years later until now in 2021. Then everything all of a sudden from social media to different platforms where you can stream music has increased sharply and now it is easier to succeed by yourself than to have a record label and that’s where I got the idea to produce music then not by the name of mihuman but Mastecki Records and let talented vocalists be my voice. So instead of producing artists, we produce music together with me as founder and the whole team of people who mix the track, who record, and so on. We really work so hard on every track that is produced.
We have now 4 tracks available on all streaming platforms and the latest called Wreck that was released on the 19th February 2021 with over 500 thousand streams.
What was most attractive part for you to be in this industry ?
To begin with, that was when I was 16 years old. It all started as a hobby. I created music for fun until it became more serious then after. What led me into what I have created now is to leave behind a legacy, a name and work with talents who get too little focus on their careers as artists
Share some experiences ( good or bad ) any that made you grow in life or profession ?
When I was younger, then 16 years old. There was a hip hop underground group that made really good music, over time we became friends and started producing together. I think my knowledge and thinking has come from that time. I myself grew up on so-called, old school hip hop music, much like Tupac, Biggie Smalls, DMX, (Rest in Peace).
Who inspired you ? How do you work on creating your own signature style ?
What inspires me and allows me to do what I’m doing right now is something similar to what DJ Khaled did before he became famous. Dj Khaled started to help artists before they made a big impact, he like me has a musical family and the cool thing is that Khaled released an album that became in the top 20 on Billboard, he started his own record label and became president of Def Jam South.
You wonder what inspires me? Here you have it.
What do you want to convey through your music?
Basically everything that goes, from life. I want to convey to all my fans’ stories everything that has happened in my life and everything that can happen. Both the past, present time, future.
I want to be that voice for my fans so they can relate to the stories that are told in my tracks.
Story behind making of your new track / Album?
Based on true story. It’s about a man with a broken heart who has been through alot in life. Been hurt and left alone. And just to mention one thing, how I work as a producer, just look at the cover of Wreck, what can you tell? A wrecked city, but you didn’t know one thing that this is a metaphor for a person with a broken heart.
Any interesting trivia about making of song ?
Creation of the song: This song is a Alternative/Rap/Rock, say Linkin Park x Secondhand Serenade kinda vibe, singing and rapping. When creating this project it was in a session with some live musicians and recorded tracks, this song has all the live guitars/drums stems. I hired musicians to play Live drums and Live guitars!
People who you would like to thank ?
I’m so proud of all my artists who do such powerful projects. Big thanks to Singapore Finest, my brother Richard Jansen , Who made this project (Wreck) and are a part of Mastecki Records family. He is a very talented artist and I look forward to working with him in the near future.
And thanks to all my fans and family members as well.
People who you would like to work with and people you idolize to be like professionally ?
DJ Khaled
Where do you see your music 3 years from now ?
I hope to produce my first album and music videos within these 3 years that will be linked to the songs. Let Indie artists that I work with become great in music and famous.
How would you like to stretch your boundaries of genre in future projects ?
I want to go as far as to travel around the world and work with different talents. I have already started to do it a little bit. Let the artists be heard, there are so many talents around the world that you miss daily.
Let Mastecki Records be a good start to their careers.
My advice is that whatever you’re going to start doing, you have to give it 200% and take the risk. It doesn’t matter if it’s about your work or private life. You always have to do the best you can.
Even if you tell yourself you can’t do it, you have to give that work all you have. Make it great, find your way to start making it more efficient and interesting and improve it! Take advantage of it even if it is about the small actions performed in your journey.
The truth is that many people today would rather be noticed than do something that is remarkable. It’s better to do something remarkable than get noticed because getting noticed will be a by-product.
Understanding Podcasting Microphones: An In-Depth Guide for Beginners and Professionals
Types of Podcasting Microphones
Dynamic Microphones
Dynamic microphones are the most popular choice for podcasting. They convert sound into electrical signals using a diaphragm, coil, and magnet. These microphones are robust, can handle high sound pressure levels, and require less gain than other types. This makes them excellent for capturing voices in less-than-ideal acoustic environments. The Shure SM7B and the Electro-Voice RE20 are industry standards among podcasters.
Condenser Microphones
Condenser microphones are sensitive and tend to capture a wider frequency range compared to dynamic microphones. They require phantom power to operate and are ideal for capturing subtle vocal nuances, making them great for voice work in studios. Notable condenser microphones include the Audio-Technica AT2020 and the Rode NT1-A, both widely admired for their clarity and depth.
Lavalier Microphones
Lavalier microphones, or lapel mics, are small, clip-on devices ideal for interviews and on-the-go recording. They ensure hands-free operations and are particularly useful for video podcasts. Wireless options add flexibility, allowing hosts to move freely during recordings. Popular choices include the Rode SmartLav+ and the Sennheiser ME 2-II.
USB Microphones
For those looking for simplicity and convenience, USB microphones are perfect. They connect directly to a computer without the need for additional equipment. While they may not deliver the same quality as XLR microphones, models like the Blue Yeti and the Audio-Technica ATR2100x-USB are excellent for beginners and home podcasters.
Important Features of Podcast Microphones
Frequency Response
Frequency response defines how a microphone reacts to different sound frequencies. Most voices fall within the 80Hz to 15kHz range, so a good podcasting microphone should adequately capture this spectrum. A flat frequency response is usually preferable, allowing for a more natural sound.
Polar Patterns
The polar pattern of a microphone determines its sensitivity in various directions. The most commonly used patterns are:
Cardioid: Ideal for podcasting as it captures sound from the front while minimizing background noise.
Omnidirectional: Captures sound from all directions, useful for roundtable discussions but picks up more ambient noise.
Bidirectional: Captures sound from the front and rear, suitable for interviews between two people.
Sensitivity and Sound Pressure Level (SPL)
Sensitivity measures how effectively a microphone converts sound into an electrical signal. A higher sensitivity microphone captures softer sounds without requiring additional gain. Sound pressure level (SPL) measures how loud of a sound the microphone can handle without distortion. Choosing a mic with appropriate SPL ratings is crucial, especially in louder environments.
Essential Accessories for Podcasting Microphones
Pop Filters
Pop filters reduce plosive sounds (like “p” and “b” sounds) that can cause distortion. They are typically made of a screen or foam, which diffuses rapidly moving air before it hits the microphone diaphragm.
Microphone Stands and Boom Arms
Proper positioning is critical for optimal audio capture. Microphone stands and boom arms allow podcasters to adjust their microphone’s position easily while keeping hands free for notes or gestures.
Shock Mounts
Shock mounts prevent vibrations and handling noise from reaching the microphone, ensuring cleaner recordings. They are especially useful when recording in less controlled environments.
Audio Interfaces
For those using XLR microphones, an audio interface is necessary to convert the analog signal into digital for your computer. Popular models include the Focusrite Scarlett 2i2 and the PreSonus AudioBox USB, which provide excellent sound quality and ease of use.
Tips for Choosing the Right Microphone
Define Your Needs
Consider your podcasting style. Are you recording solo, interviews, or panel discussions? The type of conversations you have will dictate your microphone choice.
Budget Considerations
While it’s easy to get carried away with high-end equipment, plenty of budget-friendly microphones offer excellent quality. Determine a budget that allows for good quality without breaking the bank.
Test Before You Buy
Whenever possible, test microphones in-store to find the sound that best suits your voice. Listening to the audio capture can significantly influence your decision.
Read Reviews and Watch Tutorials
Before investing, check online reviews and tutorials. Many YouTube channels offer in-depth sound tests and comparisons to help you make informed choices.
Maintenance and Care for Podcasting Microphones
To extend the lifespan of your microphone, regular maintenance is vital. Here are some key maintenance tips:
Keep it Clean: Dust and saliva can accumulate and affect sound quality. Use a soft cloth to wipe down your microphone regularly.
Use Windscreens: For outdoor recording, use a windscreen to prevent wind interference and protect the mic from moisture.
Store Properly: When not in use, store your microphone in a protective case to prevent physical damage.
Enhancing Your Podcasting Experience
Investing in a good microphone is just the beginning. To fully get the most out of your podcasting experience, include thorough planning, effective editing software, and quality recording space. An acoustically treated room, for example, can significantly reduce background noise and enhance vocal clarity.
Understanding the nuances of podcasting microphones will empower you to make informed decisions that improve your production quality. Armed with the right microphone and accessories, you can deliver a rich audio experience, engage your audience, and elevate your podcasting journey to new heights.
Manoj Bajpayee, a celebrated actor known for his powerful performances, has recently voiced his concerns regarding the pervasive influence of PR machinery within Bollywood. Bajpayee argues that the industry’s increasing focus on public relations often overshadows genuine acting talent, leading to a skewed perception of success and merit.
Bajpayee’s comments come amidst ongoing debates about the phenomenon of ‘National Crush’ titles and the superficiality of fame. He suggests that such manufactured hype can be detrimental to the careers of trained actors who dedicate themselves to the craft, but may not possess the resources or inclination for extensive self-promotion.
He emphasized the importance of acting prowess over PR stunts, highlighting the potential humiliation faced by actors who have honed their skills through rigorous training, only to be sidelined by individuals prioritizing media visibility. Bajpayee’s own career, alongside that of fellow actor Piyush Mishra, serves as an example of sustained success built on consistent, quality performances rather than fleeting PR campaigns.
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Many years later until now in 2021. Then everything all of a sudden from social media to different platforms where you can stream music has increased sharply and now it is easier to succeed by yourself than to have a record label and that’s where I got the idea to produce music then not by the name of mihuman but Mastecki Records and let talented vocalists be my voice. So instead of producing artists, we produce music together with me as founder and the whole team of people who mix the track, who record, and so on. We really work so hard on every track that is produced.
When I was younger, then 16 years old. There was a hip hop underground group that made really good music, over time we became friends and started producing together. I think my knowledge and thinking has come from that time. I myself grew up on so-called, old school hip hop music, much like Tupac, Biggie Smalls, DMX, (Rest in Peace).
