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Argylle, Review: Spyurious stuff | Filmfestivals.com

Argylle, Review: Spyurious stuff
Donβt even try. To make sense of this one. Itβs a tribute to James Bond, Jason Bourne, Die Hard, Lethal Weapon. That is what the makers want you to believe. Well, itβs one tribute the βquartetβ can do without. There is a cat in the film, getting a fair amount of footage. Maybe thatβs a tribute to Solomon, the cat of the Bond villain Ernst Stavro Blofeld, who appears in several 007 films, a white, blue-eyed Turkish Angora. In Argylle, it is a Scottish Fold cat, named Alfie, which belongs to the protagonist, a female novelist who has been a spy. There is so much back story to the heroine that you desperately want the film to get back to the story. Instead, it takes you on a tour of Europe and America, not to mention HongKong and some part of Arabia. And yet, Argylle misses its target by a mylle.
Elizabeth βEllyβ Conway is a reclusive spy author (if spies are reclusive by definition, whatβs wrong with a spy author being so?). She writes about a Super Spy called Aubrey Argylle. And each of the four novels she has written have turned out be bestsellers. But there is a problem. Her plots of international espionage turn out to be predictive and prophetic. What she writes, actually happens. On a train journey (Elly has a fear of flying) to visit her parents, she is suddenly attacked a horde of men, and miraculously saved by the man sitting next to her, who reveals himself to be Aidan Wylde, a real-life spy, and a fan of hers. He tells her that she was attacked by the Division, because of the prophetic nature of her writing.
Aidan accompanies Elly to London, where, he hopes, she will lead them to the MasterKey, and thus put paid to the plans of the Division. Not sure of Aidanβs intentions, Elly calls her parents, who turn out to be Dr. Margaret Vogeler (Ruth) and Director Ritter (Barry), the bosses at the Division, who had assumed the identities of Ellyβs parents when she was in their captivity, suffering from amnesia and semi-conscious. Aidan and Elly manage to dodge them and escape to France, where they meet former CIA Deputy Director, Alfie. βAlfieβ is short for Alfred, and has no connection with Ellyβs cat, Alfie, which she takes around wherever she goes. Alfie tells Elizabeth that Argylle is derived from her real name, which is R. (Rachel) Kylle. And soon, it is all guns blazing, as the good guys try to get rid of the Division (did I hear them call it the Directorate, on a couple of occasions?).
Convoluted is a word that readily comes to mind when I look at the script by actor-writer Jason Fuchs (Ice Age: Continental Drift, Pan and Wonder Woman. By comparison, this is the first ‘realistic’ script coming from him, the others being about a legend, a super heroine and animation. Perhaps the complications arise from his desire to go overboard, in an attempt to impress. Giving the cat so much prominence, for only two worthwhile scenes, is irrational. Elizabeth Conwayβs many incarnations are always two-steps ahead of the audienceβs intellect. Train attacks have been filmed many times in earlier films, and cannot get much better. Why cannot spy film writers think beyond a pen-drive? And what a colossal waste of the likes of Henry Cavill (Superman, Mission Impossible, The Man from U.N.C.L.E.), who is seen in apparitions by Conway, each one just a few seconds long, as the Argylle in print. One tends to agree with director Matthew Vaughn that Cavill is Bond material, but is this how you treat Bond material?
Is Matthew Vaughn the son of actor Robert Vaughn? No, says a paternity test. It is a bit complicated, like Argylle, but his full name(s) is/are Matthew Allard de Vere Drummond (born Matthew Allard Robert Vaughn; 7 March 1971), and is known as Matthew Vaughn, professionally. Many of us know him as Kingsman or Kingβs Man. Producer, Executive producer, writer and director, Vaughn also directed the X-Men: First Class. Notching 15 films as producer and only 10 as director, Vaughn appears to be smitten by the spy genre. After three Kingsman films, we now have the fourth, Argylle, which he also produced, like the Kingsman series and the X-Men film.
For most of Argylle, the director seems to be unsure whether it is to be a comedy, a spoof or an original spy thriller. Yes, the transformation of Elly from a house-wife-like character into a fighting mean machine persona is a mild tour de force. And just when you have written off Alfie, the cat, as a mere βpassengerβ, she gets to the eyes (literally). Aidan is not very convincing as the superhuman spy, and the role needed better casting. The title itself is not attractive, and the 139 minutesβ length gets to you. He brings back his Stardust actor Henry Cavill, only as a figment of Ellyβs imagination. Fights are often unrealistic, with a dozen or more gunmen pouncing on one or two protagonists, and failing to match them. Alfie raises one laugh when he bounces from a mattress on a road up to a high storey window. The dance sequence is impressive and sensual.
Discovered by M. Night Shyamalam, and cast in two of his films, Bryce Dallas Howard (Pete’s Dragon, Rocketman) is the daughter of actor-director Ron Howard. Elly Conway looks the dowdy novelist Elizabeth Conway, and metamorphoses into Rachel Kylle with ease. Both Bryce (42) and Sam Rockwell (Aidan), who is 55, belie their age. The villain-in-chief, Ritter, and his female half, Dr. Margaret Vogler, are played by Bryan Cranston and Catherine OβHara. Both are made to behave in a clichΓ©d manner, perhaps in the hope that they will come across as comedians. Nothing doing. Richard E. Grant plays Fowler, Ritter’s book counterpart in the Argylle novels. Samuel L. Jackson as Alfie could have sleep-walked into this role. And Sofia Boutella as Saba Al-Badr is completely dispensable to the plot.
Cinematography is by George Richmond and the film is edited by Lee Smith, Tom Harrison-Read and Col Goudie, with music by Lorne Balfe. An Apple Original Films production there is neither any juicy apple in it nor originality. In fact, everybody who likes originality should keep away from this spyurious stuff.
Rating: **
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Author Releases Novel About First Responder’s Life After 9/11 at No Cost
Balle Balle Radio™ Entertainment Desk
Author Erin Strong is offering her novel "She Never Left Ground Zero: A Novel of Courage, Love, and the Hidden Cost of 9/11" as a free download through September 30, according to the announcement. No registration, email address, purchase, subscription, or review is required, and coincides with the 25th anniversary of the September 11 attacks.
The novel is fiction but draws on the real experience of an NYPD officer, per the announcement. It centers on Sofia Vega, an NYPD officer whose work amid the smoke and debris in the aftermath leads to lasting consequences she and her family must face. Strong has said she wanted to write about what happened to first responders and their families after press coverage of the attacks faded β a theme that echoes a broader body of anniversary-year 9/11 literature, including nonfiction essay collections and survivor accounts published or reissued around the same milestone.
According to Strong, "I wanted to tell a deeply personal story about what happened after the television cameras moved on." "Many first responders and their families continued living with the consequences of September 11 for years. This novel honors their courage, their sacrifices, and the people who loved them through it all."
The free download is available at sheneverleftgroundzero.com. The book will also remain for sale on Amazon and other retailers after the promotional window closes. Strong’s team can be reached through the same website or by phone.
Studio CarryOnHarry Perspective
At Studio CarryOnHarry, we see Strong’s September timing as a textbook example of anniversary marketing strategy. Major commemorative dates like the 25th anniversary of 9/11 generate enormous search volume and media attentionβprecisely when potential readers are already thinking about the subject matter. By anchoring a free promotion to this peak-interest window, authors capture visibility they’d need to spend significantly on advertising to achieve otherwise. The counterintuitive logic: giving away the book for free during high-traffic periods can actually drive more long-term sales than traditional paid campaigns, because it builds audience reach, generates word-of-mouth momentum, and establishes the title in readers’ minds before the promotional window closes. When the book returns to paid status in October, those who downloaded it free become natural candidates for follow-up engagementβreviews, recommendations, and future purchases. It’s a calculated play on consumer psychology and search behavior that extends the book’s commercial lifespan well beyond September.
Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.
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New Fantasy Novel Explores Orphan’s Journey Through Magic and Danger
Balle Balle Radio™ Entertainment Desk
Author C. A. Ballard has released a debut fantasy novel, "The Lost Legacy," following a young orphan protagonist drawn into a battle against a malevolent force seeking to strip the world of its magical power, according to the publisher’s announcement.
The book comes from Newman Springs Publishing, a New Jersey-based author-services publisher that works with writers across genres to produce and distribute their books; the company is handling both publication and promotion for the title. The novel is available in stores and through major digital retailers, including Amazon, Apple, Google Play and Barnes & Noble.
According to the publisher, Zara must safeguard her sibling while partnering with an ensemble of fantastical beings including fae warriors, mythical creatures, and magical beings to combat darkness β against an antagonist seeking to strip the world of its magic.
Ballard, described in the release as a wife, mother and grandmother with a background in accounting and medical billing, said medical challenges led her to pursue creative endeavors. "I wanted to craft deeply engaging stories about everyday individuals finding remarkable capabilities within themselves," Ballard said in a statement. "Zara’s story is about finding your tribe, embracing your power, and refusing to surrender to darkness." The publisher’s announcement notes additional projects from Ballard are already in development.
There is no independent review coverage of "The Lost Legacy" available yet; retail listings confirm the book’s publication details but do not offer critical assessment. Readers interested in the book can find purchase links through the publisher’s website or major retailers.
Studio CarryOnHarry Perspective
At Studio CarryOnHarry, we recognize that Ballard’s ensemble approachβlayering fae warriors, mythical creatures, and magical beings alongside a resourceful orphan protagonistβspeaks directly to a defining shift in contemporary fantasy publishing. Today’s YA and new-adult readers expect worldbuilding that extends beyond a single chosen one; they crave diverse supernatural allies and complex team dynamics that reflect both traditional mythology and modern storytelling sensibilities. Zara’s "finding your tribe" arc taps into this broader cultural moment where belonging and chosen family rival the hero’s individual journey. As the fantasy market continues to reward narratives emphasizing collective strength over solitary heroism, Ballard’s decision to populate her world with multiple fantastical perspectives positions "The Lost Legacy" within reader expectations that have reshaped the genre over the past five years. This matters because debut authors who understandβand authentically executeβthese ensemble-driven narratives are better positioned to build engaged readerships from launch.
Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.
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