Books
Author Stephanie Walls’s New Book, “Freddy the Frog Flops on a Log,” is a Creative Children’s Story About a Restless Boy Who is Told a Bedtime Story About a Busy Frog
Author Stephanie Walls has had a love of creating children’s stories since she became a wife and a mother of two children who demanded more stories than she had books. After taking children’s literature classes during her college days, she became inspired to begin writing “Freddy the Frog Flops on a Log,” her very first children’s book. Stephanie hopes that this book will encourage children to find a playful piece of Freddy the Frog in themselves and flip and flop their way through each page.
Stephanie lives in West Virginia with her husband, Jeff, son Jeffrey, and three Great Danes named Abby, Lady Blue Belle, and Beowulf. She looks forward to every moment with her grown children, Jeffrey and Adam (Nicholas), her daughter-in-law Victoria, and her soon-to-be grandson Sam.
Stephanie writes, “Once upon a time, there was this little frog named Freddy. Freddy was a very busy little frog. Freddy the Frog loved to flop real fast on a log in the freezing water during the day. No matter how long he was in the water, he never got tired of flopping on his log! Flipping and flopping this way and that, flipping and flopping just like a cat. Flip, flop, flip, flop. In and out, he would hop from the water to the log. Flip, flop, flip, flop.”
Published by Page Publishing, Stephanie Walls’s imaginative tale comes to life with vivid illustrations by James D. Williamson. When Nicholas cannot sleep, his mother tells him the bedtime story of Freddy the Frog, which puts a smile on Nicholas’s face before he falls asleep.
Readers who wish to experience this memorable work can purchase “Freddy the Frog Flops on a Log” at bookstores everywhere, or online at the Apple iTunes Store, Amazon, Google Play, or Barnes and Noble.
For additional information or media inquiries, contact Page Publishing at 866-315-2708.
About Page Publishing:
Page Publishing is a traditional, full-service publishing house that handles all the intricacies involved in publishing its authors’ books, including distribution in the world’s largest retail outlets and royalty generation. Page Publishing knows that authors need to be free to create, not mired in logistics like eBook conversion, establishing wholesale accounts, insurance, shipping, taxes, and so on. Page’s accomplished writers and publishing professionals allow authors to leave behind these complex and time-consuming issues and focus on their passion: writing and creating. Learn more at www.pagepublishing.com.
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New Space Opera ‘Cacophony Of Separation’ Follows Two Broken Souls Through a Galactic Empire Built on Subjugation
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Bryan P. Harty has a new novel out: "Cacophony Of Separation," a dark space opera depicting a future in which Earth’s dominant leaders control alien races and subjugated worlds through force. Studio CarryOnHarry received an announcement of the release, published through Newman Springs Publishing.
The book follows two central characters. Boer, a disgraced addict, seeks redemption by facing trials the publisher characterizes as impossible. Rebecca has lost her memory but is driven by vengeance. According to the announcement, the two are on a collision course that will determine whether humanity’s empire survives its own corruption, with ancient powers maneuvering behind the scenes throughout.
The publisher describes Harty’s work as centered on morally ambiguous protagonists and unresolved consequences, with the author’s stated approach avoiding tidy endings in favor of choices that carry lasting weight. The novel’s advertised themes include addiction, redemption, transformation, and the fracturing of empires built on subjugation.
Harty framed the book’s central question in his own words: "This novel asks what we’re willing to become in pursuit of redemption, and whether the cost is ever worth the price. Boer and Rebecca exist in a galaxy that doesn’t forgive weakness, yet both must find strength in the wreckage of their former selves. I wanted to create a space opera that refuses to look away from the brutality of power and the hunger for transformation."
Retail listings describe the book similarly, pitching it as a dark, unflinching look at power, addiction, transformation and the cost of redemption, with cover copy inviting readers to "step into a galaxy where nothing — and no one — is what it seems." The novel is listed for sale in paperback and Kindle editions, alongside Apple iTunes, Google Play, and Barnes & Noble.
Studio CarryOnHarry will be watching to see whether Harty’s promise of unresolved, morally messy storytelling holds up as more readers weigh in, given how heavily the announcement leans on that distinction.
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The story follows two characters whose paths cross unexpectedly, according to the announcement, setting off a relationship neither one saw coming. From there, the book traces how that single encounter ripples outward, testing the couple through what the announcement describes as life’s unpredictable challenges while they try to build something lasting without losing their individual sense of self.
Haynes has described the novel as an attempt to work through some of the bigger questions romance fiction tends to circle back to: what draws two particular people together, how a couple holds together under strain, and what it actually takes to build a life with someone else. "Through writing this story, I wanted to capture the essence of how love transforms us," Haynes said in the announcement. "Every relationship contains its own unique adventure, and I hope readers see their own experiences reflected in these pages."
No detailed author biography accompanied the release, so how "Fate" fits into any earlier work by Haynes isn’t clear from the material provided. The premise — a single fateful encounter reshaping two lives — sits within a long tradition in romance fiction of chance-meeting narratives, a structure readers of the genre will likely recognize.
For Studio CarryOnHarry, the interesting question with a book like this isn’t the plot, which follows a familiar romance template, but whether Haynes’s take on "transformation through connection" gives readers something more specific than the setup promises.
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