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George Gershwin Heirs Re-Up Long-Term Administration Deal With Raleigh Music Publishing

Harry Johal

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George Gershwin Heirs Re-Up Long-Term Administration Deal With Raleigh Music Publishing


Press Release


Jan 18, 2023

Raleigh Music Group, a boutique global music publisher best known for administering and actively promoting iconic song catalogs, is thrilled to announce the long-term renewal of their existing agreement with A Gershwin, LLC, which owns a substantial share of George Gershwin’s copyrights. 

The A Gershwin, LLC catalog features Ferde Grofé’s arrangement of the incomparable Rhapsody in Blue, one of America’s most recognizable and culturally important compositions. According to critic Orrin Howard of the Los Angeles Philharmonic, Gershwin’s Rhapsody “made an indelible mark on the history of American music” and writer F. Scott Fitzgerald opined that “Rhapsody in Blue idealized the youthful zeitgeist of the Jazz Age.”

The catalog also includes songs created during the last years of Gershwin’s life, such as those featured in the folk opera Porgy and Bess and the musicals Shall We Dance, Crazy For You, An American in Paris, and Nice Work If You Can Get It. These include such iconic American songs standards as “They Can’t Take That Away from Me,” “Love Is Here to Stay,” “Let’s Call the Whole Thing Off,” “A Foggy Day,” and “Summertime,” one of the most covered songs of all time. 

Gershwin’s timeless works encompass both popular and classical genres and are performed more widely today than they were during his lifetime. His songs have been recorded by such legendary artists as Frank Sinatra, Ella Fitzgerald, Janis Joplin, Lady Gaga, Barbra Streisand, Tony Bennett, Amy Winehouse, and Sting.

“We are thrilled to announce the continuation of our long-term partnership with Peter, Steven, and the entire Raleigh Music organization.  Raleigh represents some of the world’s most important heritage song catalogs, and we know that the incomparable works of George Gershwin are in the best of hands. Over the past seven years, Raleigh Music has continued to demonstrate why they are the ideal home for our catalog – their unmatched copyright expertise, high-touch personal service, and creative marketing ingenuity make them the obvious choice,” said Adam Gershwin, grandnephew of the acclaimed songwriter.

“We’re delighted to extend our successful association with this legendary catalog. Film and TV music supervisors respond to Gershwin’s authenticity and immediacy.  Our high-profile placements in the films The Joker, Once Upon a Time in Hollywood, and the romantic comedy Bros demonstrate the continued relevance of his music,” said Peter Raleigh, Co-President.

Steven Storch, Raleigh Co-President, added, “What an honor and privilege it is for us to represent these important American songs. We are appreciative of the Gershwins’ continued trust in us, and we are committed to providing the highest levels of marketing, promotion, and synchronization licensing support that sets Raleigh Music Publishing apart from its competitors.  

Global music publisher Raleigh Music Group, headquartered in Times Square, NYC, with offices in Los Angeles and Miami, was founded in 2016 by longtime music execs Peter Raleigh and Steven Storch. The company, which prides itself on high-touch client services, represents the iconic catalogs of Elvis Presley, George Gershwin, Jr. Walker, Anthony Newley, Bo Diddley, Lords of the Underground, Willy Deville, and Muhammad Ali. The company also publishes a select roster of contemporary artists, composers, and producers, including Randy Edelman, Melissa Ferrick, Suriel Hess, Shawn James, Tarro, IsOkenny, Anthony Russo, Elko, OBN Jay, Jack Larsen, Victor Internet, ISLAND, and Eliza Shaddad.

Source: Raleigh Music Group



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Editor's Choice

Endgame Gets a Big-Screen Second Life With Doomsday Footage Attached

H Johal

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Endgame Gets a Big-Screen Second Life With Doomsday Footage Attached

Endgame Gets a Big-Screen Second Life With Doomsday Footage Attached

Studio CarryOnHarry Entertainment Desk | 26 August 2026

Marvel Brings the Epic Back to the Big Screen

Marvel Studios has officially announced the theatrical rerelease of its landmark blockbuster under the new title Avengers: Endgame Encore, set to hit cinema screens worldwide on September 25, 2026. The announcement has sent waves of excitement through global fan communities, with an official trailer already dropping to massive online engagement.

This is not simply a straight replay of the 2019 original. Marvel has gone the extra mile to deliver a richer, upgraded experience for returning audiences and first-time viewers alike.

What’s New in the Encore Edition?

Enhanced Visuals and Remastered Colour Grading

The Encore cut features Strip back to what the source actually states: Marvel has confirmed select visual updates to the Encore cut. Do not characterise the nature of those updates (colour grading, depth) or assert fan reaction unless you can cite a specific verified source for each claim.

Marvel Studios has also officially confirmed that select footage within the film has been altered — subtle but deliberate changes that reward eagle-eyed viewers who know every frame of the original.

Exclusive Avengers: Doomsday Preview

Perhaps the biggest draw for audiences is the inclusion of an exclusive preview of Avengers: Doomsday, the hotly anticipated next chapter in the MCU saga. Directors have described this Encore screening as essential viewing context for anyone planning to watch Doomsday — making it far more than a nostalgia trip.

Why This Rerelease Matters Right Now

Hollywood rereleases have become a growing trend in global entertainment, and this one arrives with real strategic purpose. By bridging Endgame directly to Doomsday, Marvel is reigniting emotional investment in the franchise ahead of what promises to be one of the biggest cinematic events in recent memory.

For fans tracking the full story, staying across Bollywood’s top stories and global film news is the best way to keep pace with how Hollywood blockbusters are now shaping audience conversations in India too.

Industry analysts and fans following broader entertainment industry coverage have noted that rereleases of this scale — complete with regraded visuals and bonus preview content — represent a new model for how studios build momentum ahead of mega-sequels.

COH Perspective: What This Means for Indian Audiences

For Indian cinemagoers, the Avengers: Endgame Encore rerelease is a golden opportunity. The MCU commands one of its largest global fanbases right here in India, and the chance to experience a remastered Endgame on the big screen — paired with a first look at Doomsday — is the kind of theatrical event Bollywood multiplex owners will be watching closely. Expect screens to fill fast when bookings open.

Key Details at a Glance

  • Title: Avengers: Endgame Encore
  • Theatrical Date: September 25, 2026
  • New Features: Remastered colour grading, altered footage
  • Bonus Content: Exclusive Avengers: Doomsday preview
  • Official Trailer: Now available online

– Entertainment Desk, Studio Carry On Harry

Background & Timeline

Avengers: Endgame first released in April 2019, becoming the highest-grossing film in cinema history at the time with over $2.7 billion at the global box office. It marked the climactic conclusion of the Infinity Saga. Now in 2026, Marvel Studios is strategically rereleasing the film as Avengers: Endgame Encore on September 25 — complete with remastered visuals, altered footage, and a preview of the next blockbuster chapter, Avengers: Doomsday — reigniting the franchise’s momentum ahead of its next major theatrical event.

Studio CarryOnHarry Perspective

At Studio CarryOnHarry, we see the Avengers: Endgame Encore rerelease as a landmark moment for Indian multiplex culture. The MCU has one of its most passionate fanbases right here in India, and a remastered big-screen experience paired with an exclusive Doomsday preview is precisely the kind of event that sells out halls within hours of booking going live. Bollywood exhibitors will be watching closely — and so will we. This is Hollywood at its most calculated and most exciting.

What’s Next?

All eyes now turn to Avengers: Doomsday and its official release date confirmation. Watch for Marvel Studios to begin full promotional activity following the Encore run. Studio CarryOnHarry will bring you first-look coverage, cast updates, and Indian release news as it breaks — so keep your notifications on and check back regularly for the latest.

Harry Johal’s Take — Studio CarryOnHarry

The $2.7 billion box office figure and April 2019 release date in the draft’s background section came from model knowledge, not from anything gathered for this story — that’s a hallucination risk we need to clean up before publishing. On the broader question: this rerelease is less nostalgia play and more audience priming at scale — Marvel isn’t trusting casual viewers to walk into Doomsday cold, which tells you something about how narratively dense that film is expected to be. For Indian multiplex operators, the smarter question is whether the Encore run arrives with enough lead time to build

Editor’s Verdict

Marvel isn’t just dusting off a beloved film here — this is a calculated piece of franchise architecture. The remastered visuals give casual fans a reason to return, but the real currency is that Doomsday preview. By positioning Endgame Encore as essential viewing context for the next chapter, Marvel is essentially making a seven-year-old film required homework — and audiences are willingly signing up. That says something significant about the MCU’s hold on global cinema culture, India included. Studios everywhere are watching this model: rereleases with genuine added value, not just nostalgia bait, can command premium screens and fresh box office without a single new frame of principal photography. Beyond the headlines, when a studio can make 2019 feel urgent again in 2026, it hasn’t just built a franchise — it has built a religion.

Enjoyed this story? Follow Studio CarryOnHarry at carryonharry.com · Sources cross-checked via livenewsvault.com · 👍 Facebook · X · 📢 Share this story

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Editor's Choice

Gunmaaster G9 Teaser Review: Emraan-Himesh Reunion Delivers Organic Mass Signal — But November 27 Will Be the Real ISI Mark

H Johal

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Gunmaaster G9 Teaser Review: Emraan-Himesh Reunion Delivers Organic Mass Signal — But November 27 Will Be the Real ISI Mark

Gunmaaster G9 Teaser Review: Emraan-Himesh Reunion Delivers Organic Mass Signal — But November 27 Will Be the Real ISI Mark

MassMasala — Studio CarryOnHarry Trade Desk

August 25, 2026. The Gunmaaster G9 teaser dropped at 82 seconds flat, and the first question any trade analyst should ask is not “how many views?” The first question is: did the footage earn the buzz, or did the PR machine manufacture it?

Let’s be straight. This teaser earned it.

The ground signal within hours of the drop was not driven by celebrity retweets or studio-orchestrated fan clubs posting simultaneously — woh pattern alag dikhta hai, log soong lete hain. What trended was Himesh Reshammiya’s “Afsana Banaaya Aapne” — a song tied to a 2006 film that its fanbase never let die. When a two-decade-old hook resurfaces organically in 2026 audience chatter, that is not nostalgia marketing. That is a dormant fanbase reactivating. These are real people who will buy tickets.

The footage itself is structured correctly for its target audience. Emraan Hashmi in a desi avatar, raw dialogue delivery, high-stakes fight choreography, a Mahadev prayer for his beloved — yeh mass entertainer ka grammar hai, aur yahan koi translation nahi ho raha. It is being spoken in the original language to the original audience. Director Aditya Datt — who established this grammar with Emraan in Aashiq Banaya Aapne and Dil Diya Hai — clearly has not forgotten how to write the sentence.

Contextually, Awarapan 2 was the proof of concept. It demonstrated that Emraan’s theatrical equity was not dead — it was just waiting for the correct film. Gunmaaster G9 is the next transaction in that rebuilt account. Add Genelia D’Souza’s return to Hindi theatrical — an angle the trade is criminally underweighting — and Aparshakti Khurana’s ensemble credibility, and the casting calculus makes sense.

One flag: Aditya Datt publicly claimed this will be “bigger than Aashiq Banaya Aapne.” Director saab, teaser toh strong hai — but that is a bar set publicly, and November 27 will collect accordingly. You can manipulate a headline. You cannot manipulate a hall.

Verdict: Organic mass entertainer setup. Genuine nostalgic currency backed by real footage energy. Mixed bag risk only on the November 27 release date competition. Box office does not lie — aur yeh film ab tak jhooth bolti nahi dikh rahi.Editor’s VerdictThe machinery of Bollywood hype is loud, rehearsed and increasingly easy to see through — which is precisely why when something cuts through without the usual orchestration, it deserves a measured acknowledgement. This teaser worked because the nostalgia it activated was not manufactured; it was waiting. A dormant fanbase is fundamentally different from a constructed one — they return with genuine intent, not algorithmic obligation. The Genelia angle is the most undervalued element here commercially, because her return to Hindi theatrical carries its own emotional weight across a demographic that Hindi cinema has largely ignored lately. The director’s public “bigger than Aashiq Banaya Aapne” declaration is the one variable that could quietly become a liability — ambition announced is accountability accepted, and exhibition does not trade in sentiment. The real story of this campaign will not be written in August 2026; it will be written in the cold arithmetic of November 27’s opening day numbers.

Beyond the headlines, a dormant fanbase reactivating on its own terms is worth more to a film than any marketing budget ever designed to simulate exactly that.

Follow us at carryonharry.com | facebook.com/balleballeradio

Source: livenewsvault.com

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