Artists
Vivid Sydney 2024 Program Unveiled

SYDNEY, March 10, 2024 (CarryOnHarry.com)
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Vivid Sydney, the Southern Hemisphere’s largest multi-artform festival, today unveiled its captivating program for 2024.
From 24 May to 15 June, the festival promises 23 nights of unforgettable experiences, exploring the theme of ‘Humanity’ through Light, Music, Ideas and Food.
Australia’s largest event will transform Sydney with mesmerising light installations and 3D projections from Circular Quay to The Goods Line; genre-spanning music performances and creative showcases; a formidable Vivid Ideas program featuring experiences that will open minds; and a mouth-watering Vivid Food program.
Vivid Sydney 2024 will deliver an immersive, holistic and diverse festival, spotlighting what makes us uniquely human — love, kindness, compassion and creativity — across the interactive experiences and events that make up the 23-day program.
John Graham, Minister for Jobs and Tourism, Minister for the Arts, Minister for Music and the Night-time Economy, said: “We’re getting set for the 14th Vivid Sydney. It’s an important event every year that Sydneysiders and visitors alike have come to love. It’s not just a light show, it’s a celebration of light, music, ideas and food – a program full of rich cultural experiences that resonate with locals and visitors alike.
“Vivid Sydney brings together important parts of Sydney’s culture – Light, Music, Ideas and Food. It celebrates what’s great and unique about our city, and our state and creates a uniquely Sydney experience. That’s why it’s been so popular over so many years.
“This year’s festival will have a variety of free and cost-effective events on offer to provide many opportunities for people to come together and celebrate.
“Last year, the festival achieved the biggest attendance on record and the largest visitor expenditure in its history, with more than 3.48 million attendees generating more than $206 million in visitor expenditure.
“We look forward to welcoming Sydneysiders and the world as they come and experience first-hand Sydney at its creative best at Vivid Sydney 2024.”
Vivid Sydney Festival Director Gill Minervini said this year’s festival looks at how creativity fuels our interconnected world.
“Humanity is at the core of everything we do, and this year Vivid Sydney is diving deep into what makes us uniquely human,” Ms Minervini said.
“We have curated a diverse program that explores the human spirit, designed to foster connections, spark imagination and showcase the multitude of ways creativity enriches our lives. Everyone is invited to be part of this global event in the world’s most beautiful city to connect, create and celebrate.”
Staged across Sydney, Vivid Sydney festival locations and venues include Circular Quay, the Sydney Opera House, The Rocks, State Library of New South Wales, Walsh Bay, Walsh Bay Arts Precinct, Barangaroo, Darling Harbour, University of Technology Sydney, The Goods Line, Royal Botanic Garden Sydney, Carriageworks, and more.
Vivid Sydney 2024 will engage audiences across four pillars: Vivid Light, Vivid Music, Vivid Ideas and Vivid Food. Vivid Light will dazzle with large-scale projections, immersive experiences and interactive artworks. Witness a 40km stretch of rainbow lasers emanating from the Sydney Tower, a universal symbol of hope by US artist Yvette Mattern. Immerse yourself in the captivating display of the 2023 Archibald Prize winner, Julia Gutman, adorning the Sydney Opera House sails for Lighting of the Sails: Echo (2024). Reg Mombassa, Guan Wei, Leila Jeffreys and many more join the line-up, transforming the city into a dynamic open-air art gallery.
Vivid Music ignites the city with a curated program of live performances, concerts and DJ sets across diverse venues. Tumbalong Nights returns with a free program, featuring established and emerging artists including Budjerah, grentperez and Mallrat, while the newly opened Machine Hall Precinct pulsates with headliners like Deerhoof, Jen Cloher and No Fixed Address.
Vivid Ideas, a cornerstone of the festival, sparks curiosity with new ways to experience ideas – theatre, installations and engaging discussions are just the beginning. Engage in After The Fact, nightly discussions on current affairs, or peek into someone else’s window at Window Dressing and discover a universal human trait. Participate in unique experiences like A THOUSAND WAYS: An Encounter, which fosters connections with strangers; experience the immersive dance and art installation of Shifting Perspectives; or join influential Australians at the Golden Age of Humanity film screenings and discussions at Golden Age Cinema.
Vivid Food celebrates the diverse culinary landscape of Sydney and NSW. Vivid Fire Kitchen returns with delectable offerings at its new location, The Goods Line. A Culinary Canvas by Danielle Alvarez showcases women in Australian gastronomy, while Plates with Purpose offers a taste of Ukraine at Kyiv Social. Explore over 20 top chefs and restaurateurs at the VividPlace Food Trail or indulge in a bespoke bar snack and cocktail experience at Aurorae at Bennelong Bar.
Tickets go on sale on March 11 (AEDT). To learn more and stay updated about additions to the program, go to vividsydney.com.
Source: Vivid Sydney
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Big Noise Artist Mark Winkler Releases 22nd Album, “Hold On”

An acclaimed artist on the Los Angeles jazz scene, Winkler’s original songs have been sung and recorded by a cadre of top singers like Dianne Reeves, Joe Sample, Randy Crawford, and Dee Dee Bridgewater.
Over his long recording career, Winkler has invited other top jazz vocalists to join him in the studio. He has recorded with Jackie Ryan, Steve Tyrell, Claire Martin, and Sara Gazarek, among others. He shared top billing on two albums with Cheryl Bentyne from the iconic group The Manhattan Transfer, and collaborated with David Benoit on their album Old Friends, about which Jersey Jazz said, “Winkler is one of the best male vocalists on the jazz scene.”
Big Noise has worked with Winkler since 2013.
Despite his long tenure at the microphone, Winkler does not just sit on his laurels. Each new album builds on the previous one. According to JW Vibe, “Winkler is one of those rare artists who not only never misses, but keeps getting better with time.”
Winkler continues to seek new and interesting ways of expressing himself through the creative energy he draws from working with other like-minded artists. For Hold On, he worked with six stellar pianists, including Grammy Award Winner John Beasley, Rich Eames, Tamir Hendelman, Eric Reed, Greg Gordon Smith, and Jamieson Trotter. Each brings his own style to the project, creating a rich tapestry of sounds.
Also joining Winkler are some top Los Angeles players including Gabe Davis (bass), Christian Euman (drums), Kendall Kay (drums), Bob Sheppard (sax), Brian Swartz (trumpet), Lemar Guillary (trombone), Joey De Leon (percussion), George Doering (guitar), Emmy Award Nominee Grant Geissmann (guitar), and The GGS Singers (background vocals).
The album was produced by Barbara Brighton, who also produced eight of Winkler’s previous albums.
Over the years, Winkler mainly wrote lyrics with four major collaborator composers. For Hold On, Winkler co-wrote four of the eleven songs with Greg Gordon Smith, whose production company specializes in cinematic original music and sonic branding for major brands like Hulu and Dolby. Winkler says, “Greg is a fantastic composer. We’re really in sync with each other. I feel like I found my very own Bacharach.”
Winkler opens the album with the title track, his original co-written with Smith, “Hold On,” which Smith also arranged. “A Little Taste” is an iconic Dave Frishberg song. Winkler was attracted to its witty, literate lyrics. As a lyricist, Winkler is particularly drawn to great writers and considers Frank Loesser one of the best. Most versions of Loesser’s “If I Were a Bell” have been sung by women, but Winkler could not resist singing it.
Winkler is a film buff and loves noir and campy sci-fi moves. “Cat Women on the Moon” is his homage to the goofy sci-fi flicks of the fifties. After Frank Sinatra put his imprimatur on “It Was a Very Good Year,” relatively few people dared to record it. But Winkler finds his own way with the song after he was inspired by a bossa nova version he heard.
Another collaboration with Smith, Winkler co-wrote the swinger “My Future’s Just a Memory.” Written from the perspective of an older person, the song is about consciously savoring the good moments of your life. Billy Joel’s “Vienna,” a song suggested by Brighton, features Beasley’s spare and elegant arrangement, which allows the lyrics to shine.
Winkler was inspired to write “Train in the Desert” after visiting an exhibit of Georgia O’Keefe’s paintings. When Winkler started dating again after his husband passed away, he met some “interesting” people. “The Devil Don’t Want a Saint,” arranged by Eames, was inspired by one guy in particular who wound up being quite different than he pretended to be.
Composed by Smith, “My Electric Car” is Winkler’s homage to clean energy. Winkler closes the album with “I Dream of You Each Night.” It was inspired by the TV series Fellow Travelers, a show about two gay men in the 1950s who had to hide their decades-long relationship. Coming of age in the 60s and 70s, Winkler well understands the oppression that gay men endured.
Mark Winkler has accrued a legion of fans because he has shown time and again his ability to engage hearts and minds as a performer, recording artist, and lyricist. Hold On brings us into Winkler’s world where swing, humor, and even elegance conspire to create a thoroughly enjoyable listening experience.
Hold On was released on Café Pacific Records and is available on Spotify, Apple Music, Amazon Music, and all streaming platforms.
Online:
Markwinklermusic.com
facebook.com/mark.winkler.10
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Rock Band Black Halo Releases Single, “Darkness Falls”

The lead single, “Darkness Falls,” focuses on the problem of trying to get someone we love to stop indulging because it’s destroying them, and part of us along with them. Utopia is a concept album that tells the story of two young people struggling through their respective miseries. The man has his own problems, but his inability to help the woman he loves overcome her addiction worsens his turmoil.
“We know it can be hard to reach people,” says guitarist and songwriter Randy Ellefson, who lost a co-worker to suicide in 2023. “Maybe a song won’t do it, but it does happen, and it has for me when lyrics resonated with me. I’d rather take the approach of encouraging people to find another way to deal with the darkness inside them, because drugs and alcohol are likely to only make it darker.”
“Darkness Falls” is now available on all major streaming platforms and YouTube. Visit https://linktr.ee/blackhalometal for access to these and Black Halo’s social media, merch, and website hub.
For more information, send to blackhalo@randyellefson.com.
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